A Quote by Pierre Trudeau

In specific terms I don't think I could make any suggestions, but in general terms I believe that it is because Canadians have been under the good influences of their churches that they are a tolerant people, an understanding and patient people, so that there has been little backlash against the excesses which have happened over the decades in French and in English Canada which might turn either group off.
I think it is right for Canadians to be asked to show their faces when they're taking the oath. On revocation of citizenship, we do not let people who have criminal records, including convictions for terrorism, become either permanent residents or citizens. I think there is a limit beyond which someone has really cashed in their chips in terms of their allegiance to Canada.
We French-Canadians belong to one country, Canada: Canada is for us the whole world: but the English-Canadians have two countries, one here and one across the sea.
I think most people, if I asked, would say, "Yes, of course I believe." But I think for a great many of them it doesn't really make much difference in terms of either what they do with their lives or with their own inner well-being. They believe because so did grandfather, and that's the same church they've been going to all these years.
I have been hugely proud in terms of what I have achieved, in terms of over 60 caps, and I have captained my country on a few occasions which has been a huge honour and something I have been really proud of in my career.
We live in a very special time right now. At no other time in history has there been such mass disillusionment in terms of reliance on governing functions. Most people don’t want to come to terms with that. It’s been proven over and over again that the emperor isn’t wearing any clothes, but most people don’t like to look at naked emperors. In the process of turning around to avert their eyes, they saw the discotheques and a few other things and latched onto them.
We are on strike against martyrdom—and against the moral code that demands it. We are on strike against those who believe that one man must exist for the sake of another. We are on strike against the morality of cannibals, be it practiced in body or in spirit. We will not deal with men on any terms but ours—and our terms are a moral code which holds that man is an end in himself and not the means to any end of others.
There has not been enough clarity over the years in terms of who did what in Boney M but fortunately Frank Farian has since stated that all members of the group could have been replaced except for me. And I like to think that when it comes to the music Liz Mitchell is the sound of Boney M.
Tariffs are in the end taxes. And somebody has to pay that tax. I think one thing people are forgetting is that trade disputes are two-sided. When the United States imposes tariffs on a partner like Canada, there is always a possibility that Canada will say that's not fair and retaliate. And at that point, you have to ask the question, - which U.S. industry will suffer because the Canadians retaliated against it?
There are crimes which no one would commit as an individual which he willingly and bravely commits when acting in the name of his society, because he has been (too easily) convinced that evil is entirely different when it is done 'for the common good.'...one might point to the way in which racial hatreds and even persecution are admitted by people who consider themselves, and perhaps in some sense are, kind, tolerant, civilized and even humane.
I played lead guitar in a band called The Federal Duck, which is the kind of name that was popular in the '60s as a result of controlled substances being in widespread use. Back then, there were no restrictions, in terms of talent, on who could make an album, so we made one, and it sounds like a group of people who have been given powerful but unfamiliar instruments as a therapy for a degenerative nerve disease.
It is my object, in the following work, to travel over ground which has as yet been little explored and to make my reader acquainted with a species of Remains, which, though absolutely necessary for understanding the history of the globe, have been hitherto almost uniformly neglected.
My activities have never had anything to do with the idea of becoming famous or achieving success. I have always been concerned with getting people to listen to me. In everything I do ... my aim is to make people listen. I want to communicate the things that I love and in which I believe, because I think that people can derive a general benefit from them. What I really want is success in a philosophical sense: I want people to grasp something of the ideas and hopes which I express in painting.
It's like a little folk song. I think it might've been Harry Belafonte or someone like that who did it. And "Merry Christmas, Everybody" by Slade, which is a rock group - a rock-pop group who are very big over there.
Dub has been a big influence in terms of production. It's inspired so many people and so much music - in terms of music where mixing desk was the instrument. Central to that is the echo chamber, and I think there's a little bit of a romantic thing there.
In terms of people that I know, my grandmother and my mother are huge influences on my writing life because they are both massively supportive and always have been of my career.
All of my films have been very hard to understand at the script stage because they're very different. At the time I did them they were not conventional. The executives could only think in terms of what they'd already seen. It's hard for them to think in terms of what has never been done before.
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