A Quote by Piet Mondrian

Reality only appears to us tragical because of the disequilibrium and confusion of its appearances. — © Piet Mondrian
Reality only appears to us tragical because of the disequilibrium and confusion of its appearances.
I'm absolutely convinced that this is a world of appearances, not reality. There's one reality and that's Light and Love. When some say, we create our own reality, I always demur and say, "Please, would you mind adjusting that a little bit? We create our own appearances." We become master of appearances and as we change our thought, we will see the appearances around us change. That gives us this huge sense of dominion and power and control over our world.
Confusion has become a state of mind, more of less; we're trained to be confused. Quite simply, the people in power are keeping us down, keeping us docile and keeping us consuming with this confusion. It's a cultural confusion and it is deliberate.
Now these two questions Does there exist a material reality distinct from sensible appearances? and What is the nature of reality? do not have their source in experimental method, which is acquainted only with sensible appearances and can discover nothing beyond them. The resolution of these questions transcends the methods used by physics; it is the object of metaphysics. Therefore, if the aim of physical theories is to explain experimental laws, theoretical physics is not an autonomous science; it is subordinate to metaphysics.
To us ... the only acceptable point of view appears to be the one that recognizes both sides of reality-the quantitative and the qualitative, the physical and the psychical-as compatible with each other, and can embrace them simultaneously ... It would be most satisfactory of all if physis and psyche (i.e., matter and mind) could be seen as complementary aspects of the same reality.
Once we have taken the backward step to an abstract view of our whole system of beliefs, evidence, and justification, and seen that it works only, despite its pretensions, by taking the world largely for granted, we are not in a position to contrast all these appearances with an alternative reality. We cannot shed our ordinary responses, and if we could it would leave us with no means of conceiving a reality of any kind.
Don't let appearances fool you. There's always only one reality!
The reality is that financial markets are self-destabilizing; occasionally they tend toward disequilibrium, not equilibrium.
In the central cases of physical pain, then, it appears that at least part of what is bad about our condition is the way it makes us feel. Here there seem to be no problems with a purely mental state account, no counterpart to the experience machine that could bring us to think that we are being deceived by mere appearances. [...] If I am suffering physical pain then I can be quite wrong about the organic cause of my affliction, or even about whether it has one, without that error diminishing in the slightest either the reality of my pain or its impact on the quality of my life.
I grant you that the artist does not see Nature as she appears to the vulgar, because his emotion reveals to him the hidden truths beneath appearances.
My images were surreal simply in the sense that my vision brought out the fantastic dimension of reality. My only aim was to express reality, for there is nothing more surreal than reality itself. If reality fails to fill us with wonder, it is because we have fallen into the habit of seeing it as ordinary.
The confusion is not my invention. We cannot listen to a conversation for five minutes without being aware of the confusion. It is all around us and our only chance now is to let it in. The only chance of renovation is to open our eyes and see the mess. It is not a mess you can make sense of.
Man is the only animal who does not feel at home in nature, who can feel evicted from paradise, the only animal for whom his own existence is a problem that he has to solve and from which he cannot escape. He cannot go back to the prehuman state of harmony with nature, and he does not know where he will arrive if he goes forward. Man's existential contradiction results in a state of constant disequilibrium. This disequilibrium distinguishes him from the animal, which lives, as it were, in harmony with nature.
For the photograph's immobility is somehow the result of a perverse confusion between two concepts: the Real and the Live: by attesting that the object has been real, the photograph surreptitiously induces belief that it is alive, because of that delusion which makes us attribute to Reality an absolute superior, somehow eternal value; but by shifting this reality to the past ("this-has-been"), the photograph suggests that it is already dead.
Photography deals exquisitely with appearances, but nothing is what it appears to be.
Like the physical, the psychical is not necessarily in reality what it appears to us to be.
Things may look different to you than they did before. I've had that experience myself. But don't let appearances fool you. There's only one reality.
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