A Quote by Pietra Brettkelly
In the Afghan people, I found the most resilient, welcoming people who, for the first time in my career, never judged me over my right to tell this story - as a woman or a foreigner. A people who cherish their culture and history and the films that have captured that culture.
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The Western media has depicted the Afghan woman as a helpless, weak individual. I have said it before, and I shall repeat it: The Afghan woman is strong. The Afghan woman is resourceful. The Afghan woman is resilient.
...culture is useless unless it is constantly challenged by counter culture. People create culture; culture creates people. It is a two-way street. When people hide behind a culture, you know that's a dead culture.
I must tell you that Telugu film industry is one of the most comfortable places I found a woman can be. They do make a lot of mass films, but from my experience as an actor, I can tell you that people are very nice and welcoming. In fact, it's slightly more difficult in other places.
Once you learn to discern the voice of Mother Culture humming in the background, telling her story over and over again to the people of your culture, you’ll never stop being conscious of it. Wherever you go for the rest of your life, you’ll be tempted to say to the people around you, “how can you listen to this stuff and not recognize it for what it is?
Television is the first truly democratic culture - the first culture available to everybody and entirely governed by what the people want. The most terrifying thing is what people do want.
What matters is what you do. And this runs counter to what a lot of the culture teaches people about putting feelings first. By contrast, resilient people focus not on what they intend, but on what they achieve.
There was a time when I was knocking on doors and concerned with being recognized in dominant culture. I've found a space where the terrain is different, where I'm embraced by people like me, and where I'm building new ways of doing things, as opposed to trying to insert myself in a place that might not be welcoming.
If people are eating mostly pickles after many generations, where did that come from? It's reflective of history, often a painful history. It's central to a culture, to a history, to a personal story. It's communication at its most fundamental.
Culture does not make people - people make culture. So if it is in fact true that the full humanity of women is not our culture, we must make it our culture. [...] A feminist is a man or a woman who says, 'yes there is a problem with gender as it is today and we must fix it. We must do better.'
I've gone into prisons, I've gone into schools, I've gone into corporations, all over the world. It doesn't matter where you go, people are essentially the same. Our culture is different, but culture is nothing but group habit, culture is paradigm and when you get past the culture, people are essentially the same.
Rock n' roll means so much more to people; it enriches the culture. Also, it inspires people; there's no half-feeling. When I first got into it, I was inspired by people who had come before me, and I found myself in the position of handing that on.
I'd like to state that Spike Lee is not saying that African American culture is just for black people alone to enjoy and cherish. Culture is for everybody.
I think fashion is probably one of the most accessible and immediate forms of visual culture. In 1978, when I realized that I wanted to work on fashion, I had gone to Yale to get my Ph.D. in European cultural history. I suddenly realized fashion's part of culture, and I can do fashion history. All my professors thought this was a really bad idea, that fashion was frivolous and unimportant. And, increasingly over time, people have recognized that it provides such a mirror to the way we think, our values and attitudes.
We should never denigrate any other culture but rather help people to understand the relationship between their own culture and the dominant culture. When you understand another culture or language, it does not mean that you have to lose your own culture.
Larry Summers, I think, he had a long history of arrogance and relative ignorance about poor people's culture and working people's culture and so forth.
I think people in the hip hop culture really just care about who has the bars. I'm sure there are people, who see it differently outside of the culture, but most people are concerned with who's a better rapper and that's that.
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