A Quote by Pietro Mascagni
Modern music is as dangerous as narcotics.
Related Quotes
Pot is to narcotics what herpes is to social diseases; it doesn't count cos it's not really dangerous and it's too easy to get.
Now the bad guy's not targeting cash. He's targeting narcotics. And he's robbing a pharmacy because that's where the narcotics are.
It is haram [religiously forbidden] to use narcotics in any way because it results in considerable adverse effects in terms of personal health and social cost. By the same token, it is haram to deal in narcotics in any way, i.e., carrying, transporting, storing, selling, buying, etc.
Music is dangerous in so many ways. It's the most dangerous thing in the world.
It's modern day. It is modern day. Some of the cars are older but it is absolutely modern day. There are modern cars in it, modern people, modern clothes, modern talk. We wrote 'Valentine' to sort of pay tribute to all the old slasher movies that we grew up with and I think that we did that.
In the '60s when I was a student, there was this campaign to destroy 75 percent of the old buildings in Paris, replacing them with modern architecture. I realized this as a dangerous utopia. This modern vision did not understand the richness of the city. Thankfully, such destruction did not happen.
Music is neither old nor modern: it is either good or bad music, and the date at which it was written has no significance whatever. Dates and periods are of interest only to the student of musical history. . . . All old music was modern once, and much more of the music of yesterday already sounds more old-fashioned than works which were written three centuries ago. All good music, whatever its date, is ageless - as alive and significant today as it was when it was written
As a composer I might class myself as a Neo-Romantic, inasmuch as I have always regarded music as a highly personal and emotional form of expression. I like to write music which takes its inspiration from poetry, art and nature. I do not care for purely decorative music. Although I am in sympathy with modern idioms, I abhor music which attempts nothing more than the illustration of a stylistic fad. And in using modern techniques, I have tried at all times to subjugate them to a larger idea or a grander human feeling.
If they weren't so dangerous and destructive, one could smile and pat the Modern Liberal on the head and tell him how cute he is and go on about the business of being an adult. But he is dangerous and destructive, with the True Believer's very purpose being the total destruction of everything that God and science-most obviously Western Civilization-has ever created. ...The Modern Liberal will invariably and, in fact, inevitably side with evil over good, wrong over right and the behaviors that lead to failure over those that lead to success.
There's always been good and bad music. Many composers hide behind modern music in order to not make music.
When you think after 25 years of Mao, Chinese people had no idea about western music or even western culture. They had no idea about James Dean or the Beatles or Charlie Chaplin, modern music or modern cinema.
I am quite certain in my heart of hearts that modern music and modern art is not a conspiracy, but is a form of truth and integrity for those who practise it honestly, decently and with all their being.
For me, reggae music and its aesthetic are touchstones in both simple and complex ways. Reggae's capacity to be a folk music that is created in a wholly modern context of the recording studio (and sometimes that is the sole performance space) is riddled with the kinds of contradictory impulses that we have come to expect from the post-modern. I revel in this, for it gives me, shall I say, permission.
Like taxes, radioactivity has long been with us and in increasing amounts; it is not to be hated and feared, but accepted and controlled. Radiation is dangerous, let there be no mistake about that-but the modern world abounds in dangerous substances and situations too numerous to mention. ... Consider radiation as something to be treated with respect, avoided when practicable, and accepted when inevitable.
I have heard the critics. What they are spewing are lies, nothing more. My defense policy calls for an efficient and strong military for our country. We live in dangerous times, but we must remember that we have to defend the United States against dangerous and modern threats. The Cold War is ending. Defense hawks like Senator Nunn need to understand this.
The profession of magician, is one of the most perilous and arduous specializations of the imagination. On the one hand there is the hostility of God and the police to be guarded against; on the other it is as difficult as music, as deep as poetry, as ingenious as stage-craft, as nervous as the manufacture of high explosives, and as delicate as the trade in narcotics.
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