A Quote by Pink

In the late '90s, R&B was dominant in the radio, and the white kids were taking it mainstream. — © Pink
In the late '90s, R&B was dominant in the radio, and the white kids were taking it mainstream.
Like leggings, comedies created by women came into vogue in the late 1980s, exploded in the early '90s, went mainstream in the mid-'90s, and were shoved into the back of the closet around 1997.
I was on television a couple of years ago and the reporter asked me, "How does it feel being on mainstream media? It's not often poets get on mainstream media." I said, "Well I think you're the dominant media, the dominant culture, but you're not the mainstream media. The mainstream media is still the high culture of intellectuals: writers, readers, editors, librarians, professors, artists, art critics, poets, novelists, and people who think. They are the mainstream culture, even though you may be the dominant culture."
The '90s were a party, I mean definitely maybe not for the grunge movement, but people were partying harder in the '90s than they were in the '80s. The '90s was Ecstasy, the '80s was yuppies. There was that whole Ecstasy culture. People were having a pretty good time in the '90s.
The late '90s were a really bad time for people trying to be rock stars, you know what I mean? It seemed like everyone was a one-hit wonder on the radio. We had friends who had a hit single on the radio and sold 500,000 records, and then they couldn't get arrested a year later. I had this feeling at the time that that was not possible anymore, so the idea of becoming the biggest band in the country—it seemed laughable. I felt that having those sort of ambitions was foolish, because there was no way that was going to be possible. If you saw it that way, you were just deluding yourself.
In the '90s, the radio was still alive with all different kinds of points of view, and I think that's why people are longing for that time. It was the first time that alternative music broke through to the mainstream.
I have no problem being mainstream. I grew up in the '90s when the mainstream was amazing.
If Star Wars had been released in the late '60s, or late '80s, or late '90s, adjusting for technology, it fits spectacularly well.
The late 90s were crazy science-fictional if you were inside the superheated steam bubble of the dot-com 1.0 industry.
There are constant challenges about what's 'mainstream.' These kids in 'Dope' are as mainstream as the kids in 'Superbad' or 'The Breakfast Club.'
I think people who say radio is gone or radio is irrelevant are way off the mark. It's still by a huge degree the dominant medium. I know it's changing but radio is still incredibly important.
I mean, I grew up in the Valley. All my friends were white Jewish kids. So the Latino kids thought I was this white girl.
A big difference between podcasts and radio is the intimacy. Radio oftentimes feels big and loud. To me, podcasting is closest to that weird late night stuff, whether it's late night love song request lines, or it's some talk radio show where you feel like you're the only person listening to it.
I made songs in the late '90s and the early new millennium that didn't succeed very well, but songs that I made in the late '80s, early '90s, they stood the test of time. I respect those songs for keeping me relevant.
As a writer, I was deliberately creating an alternate world, and then populating it with experiences and people that I knew in this world, but I'd shake up the mix considerably. And about the same time that the memoir was becoming the dominant popular literary form in the mid to late 90s, I started reading writers who were deliberately playing with the notion of "truth" and "fiction" - that struck me as a much more interesting way to tell certain stories, particularly in the realm of comedy.
I became a high school teacher for many years because it was a very tangible, concrete way where I could make a difference, and quite frankly, the kids didn't care who my father had been, because it was late '90s; none of them were around or remembered my father.
I took a bit of a back seat, I had kids and I wanted to focus on them. There's that period in the late '90s, the early 2000s, where I didn't do a great deal.
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