A Quote by Piper Perabo

I was glad to have had some dance background because some of the dances are pretty wild. — © Piper Perabo
I was glad to have had some dance background because some of the dances are pretty wild.
It's like an emotional dance party: Some dances will be your favorites -- others more awkward or difficult to learn. Some will be boring or make you mad. some you will wish you never needed to do again. But AHA! You think. I will dance all the dances I can.
My goal now is to dance all the dances as long as I can, and then to sit down contented after the last elegant tango some sweet night and pass on because there wasn't another dance left in me.
When I was younger I did some pretty wild things with the limited options I had.
I've already had a hard time dealing with some of the trappings of success and turned to some pretty stereotypical escape routes - ways of escaping my own reality and falling into some pretty clichéd situations.
I've never had a problem with the old truism about dancing to architecture. I think you can dance to architecture. There's some pretty funky architecture to dance to.
The dance, like most dances after supper, was a merry one; some of the older folks joined in it, and the squire himself figured down several couple with a partner, with whom he affirmed he had danced at every Christmas for nearly half a century.
I've had fans do some pretty awesome things... I once had a fan do a mock proposal for me in Mumbai, inside a McDonalds... and I've had fans give me some precious things. I had one fan give me her mother's ring; I've gotten some pretty intense stuff. And I always get drawings and scrapbooks from fans, which is also pretty cool.
I've never been to a prom or a dance; so it's funny, because we have dances on the show, and I'll be like, 'Oh yay! It's my school dance!'
I have absolutely no dance background at all. Nor a singing background. People, for some reason, think I can. And I don't know why that is. I sort intoned in Moulin Rouge, through facial hair and buck-teeth, but I don't really call it singing.
I've had some really, really wild fun nights in Vegas. I ended up on stage once with this band, The Digital Underground, doing the Humpty Dance.
I saw the dance as a vision of ineffable power. A man could, with dignity and a towering majesty, dance. Not mince, cavort, do "fancy dancing" or "showoff" steps. No: Dance as Michelangelo's visions dance and as the music of Bach dances.
I've had a pretty crazy life. It's colorful ... reliving some of those closets that I had shut, locked and thrown away the key intentionally because it was painful to revisit a lot of those places - especially the loss of my buddy Robbie Tooley, the divorce of my parents, some of the things I went through as a kid, a lot of that stuff was locked up for a reason - it was painful. But at the same time, there was some therapy in revisiting some of those spots.
I have had some pretty wild nights! I think the media keeps a very close eye on what people are up to these days. I was out with George Clooney a few nights ago and we had a great time.
My background is in dance. No, I'm kidding. I was actually really uncoordinated as a child, when it came to dance, but I did play a lot of sports, and I do some break-dancing from time-to-time. No, I really don't.
When the musical keyboard was created in the 1970's, you had electronic geeks that had no background in music created these devises and gave them to musicians that had no background in electronics. The result was some of the wierd sounds that came out in the '70s.
The '80s was a wild decade, and I had some fantastic times. And I did some really fun work.
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