A Quote by Piper Perabo

There are a lot of people who wait tables. And especially because you can do it at night and you can do your work in the day, she and I had a very similar experience. — © Piper Perabo
There are a lot of people who wait tables. And especially because you can do it at night and you can do your work in the day, she and I had a very similar experience.
Working on The West Wing was similar in many ways to my experience on M*A*S*H, because you had people willing to work late at night to get it just right.
So a lot of people who work rotating shifts and they work at night, their bodies are set to want to be awake during the day and sleep at night. So there are some people who have a lot of trouble adjusting their rhythms and they have trouble working the night shift, they're sleepy, they're drowsy driving home.
I love to work with Julia [Holter] because our voices have a similar timbre, and she's very unique. She finds very avant-garde harmonies that I adore.
When I got married and had a child and went to work, my day was all day, all night. You lose your sense of balance. That was in the late '60s, '70s, women went to work, they went crazy. They thought the workplace was much more exciting than the home. They thought the family could wait. And you know what? The family can't wait. And women have now found that out. It all has to do with women, or the homemaker leaving the home and realizing that where they've gone is not as fabulous, or as rewarding, or as self-fulfilling as the balance between the workplace and the home place.
I think that everybody has hard work side, no matter what your job is, you have bad days, you have people you don't get along with. The thing about modeling is every single day you're working with a completely new team so every single day is your first day of work or your first day of school. And you can't really have an off day because that will be the only experience they have with you.
Sharp knives seemed to cut her delicate feet, yet she hardly felt them, so deep was the pain in her heart. She could not forget that this was the last night she would ever see the one for whom she had left her home and family, had given up her beautiful voice, and had day by day endured unending torment, of which he knew nothing at all. An eternal night awaited her.
She felt a board indifference toward the immediate world around her toward other children and adults alike. She took it as a regrettable accident to be borne patiently for a while, that she happened to be imprisoned among people who were dull. She had caught a glimpse of another world and she knew it existed somewhere, the world that had created trains, bridges, telegraph wires and signal lights winking in the night. She had to wait she thought, and grow up to that world. - Dagny Taggart
I had to take my makeup off at work every night. I wasn't allowed to do it at home because my mom said that when your work day is done, you're done with work.
Talent must be a fanatical mistress. She's beautiful; when you're with her, people watch you, they notice. But she bangs on your door at odd hours, and she disappears for long stretches, and she has no patience for the rest of your existence; your wife, your children, your friends. She is the most thrilling evening of your week, but some day she will leave you for good. One night, after she's been gone for years, you will see her on the arm of a younger man, and she will pretend not to recognize you.
I love working with people and having them bring something to the table that I couldn't. I think one of my favourite artists to work with has been Kucka. She's Australian, too, and it's great working with her because we kind of have a very similar take on music, and we like a lot of the same stuff. We're not super-precious about ideas.
On the last day of our five-day work week, we did two performances and we had an audience. It was similar to theatre; we went from beginning to end, and it was very pleasing.
I didn't respond to the kind of sarcastic tone. It felt like some of the Sarah Palin speech was written as though it were a Saturday Night Live newscast. Maybe that's because she looks very similar . . . She's got her Tina Fey thing going.
I think my mother became the muse because she had everything when she was in Hollywood: she had the marriage, the success, the money, all the films she wanted to do and yet even her, she had a longing and wanted to work with a film that had meaning, something more profound. And I think that was very touching to father.
I connected very much with all the work of Joan Crawford because she started as a flapper. She used to dance and sing and she was very cute. She had something that was so different from what she is at the end of her life and she started in the silent movies and then went into the talkies.
Day and night she had drudged and struggled and thrown her soul into her work, and there was not much of her left over for anything else. Being human, she suffered from this lack and did what she could to make up for it. If she passed the evening bent over a table in the library and later declared that she had spent that time playing cards, it was as though she had managed to do both those things. Through the lies, she lived vicariously. The lies doubled the little of her existence that was left over from work and augmented the little rag end of her personal life.
Talent doesn't appear over night. It takes a lot of work and honing your craft, but also don't give up because people may say you're not good enough. I had so many teachers in high school and college saying "You're not going to make it. You're not. You can't." Luckily I had enough people around me who said I could.
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