A Quote by Pirjo Honkasalo
The cinematography was of course incredibly important to me because I graduated as a cinematographer.
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I thought of learning cinematography, so I assisted a cinematographer for an ad.
As important as it is to learn the techniques of cinematography, you also have to learn how to deal with the movie set, with show business. I came up with a cinematographer who is very talented, but she was never quite able to handle everything else you have to do - dealing with the producer and the crew and the time frame that you have to follow.
The cinematography is as much involved with the physicality of the scene, so a lot of our shots are hand-held. I felt the cinematographer needed to be the fourth-character with the same drive as the actors
Usually, if you notice good cinematography, then the cinematographer's failing. I try to make light feel like it's always motivated and natural in some way and hope that the lighting goes unnoticed.
I just feel incredibly lucky. I went to drama school and about 28 of us graduated. I graduated from drama school in 2000, and I would say about two of us are working and able to make a living out of it. It is a tough profession. To have the kind of success I have had is really amazing, and I am incredibly grateful.
Augusta is a very unique golf course. It's a long hitters' course; main reason is because the greens are so severe, and the areas where they put the pin is such a small area. The little plateaus and undulations mean it's incredibly important to be close to that pin so you can be aggressive.
I grew up as a cameraman, so it's much easier for me to shoot it myself. I work with an operator and a crew, but it's way easier for me to function as a cinematographer, than to have a cinematographer between me and the lens. I don't need that.
Cinematography was incredibly foreign to me, so I read as much as I could about it. Once I figured out that it was just photography with a set shutter speed, I got some slide film and I just went about storyboarding the script and taking snapshots. I took a ton of time doing it just to make sure I knew exactly what I was doing. By the end of it I knew what the film was going to look like - my exposure and the composition and everything. I wasn't scared of cinematography anymore.
I was not getting work, even after auditioning for films. So I started working in a studio as a photographer; I assisted a cinematographer for two ads. I was thinking that I will get into photography or cinematography or assist someone. But then the 'Dangal' offer came, and I was busy with the auditions.
I graduated in biology by overcoming an incredibly impossible science workload in college. The knowledge does nothing for me, but knowing I achieved that makes me feel like I can achieve anything because those science classes in biology are just impossible.
I think people just see cinematography as being about photography and innovative shots and beautiful lighting. We all want our movies to look great visually, to be beguiling and enticing, but I think that what really defines a great cinematographer is one who loves story.
After I finished my degree in Mass Communication in Manipal, I enrolled for a cinematography course in Pune Film Institute. That is when Nandini Reddy, the director of 'Ala Modalaindi,' convinced me to act.
I had a love for photography, which of course rolled into cinematography.
For me, because I've been working out since I graduated college, I have to mix it up. But it's not just working out for health's sake; it's also a whole mindset for me. Yoga is really important for that.
Originality is also very important to a writer. And all of the writers I've mentioned, of course, are original, but it's important to me that every book that I do be really a completely fresh and new look at the world. And of course, that makes it frightening to start a new book because you can't really depend upon what you've done with previous books.
When I got on my first set, I watched what the cinematographer was doing, and at that level in film school, the cinematographer has the most control. They're the one looking through the viewfinder, carrying the camera, framing the shots.
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