A Quote by Pitbull

When I get in the studio the idea is just to work and bang out as many as I can. — © Pitbull
When I get in the studio the idea is just to work and bang out as many as I can.
I hate studios. A studio is a black hole. I never use a studio to work. It's very artificial to go to a studio to get new ideas. You have to get new ideas from life, not from the studio. Then you go to the studio to realize the idea.
I have the barn, it's just kind of like a studio. Almost all artists have la studio to work in, and that's really what it is. A place to get away. I'll spend maybe four days out there if I can, just completely immersed - like where I don't bathe or brush my teeth for a few days, just get up and make coffee and experiment until the sun goes down.
I think I worked an average of about 10 minutes a day [in Big Bang Theory series]. It took longer to get to the studio than I actually worked. So I regard the driving there as the actual job. The work itself was just fun.
I run into viewers all the time who have no idea I've moved to N.Y.C. I think, for many of them, a studio is a studio is a studio.
I'm never too ambitious when I go into the studio. I always know that I'm just going into the studio to work on or try to develop an idea that I have for a song.
Bang! Bang! Bang! Sorry Mr. Yipes, sir, she won't budge!' Put your back into it, man, give it all you've got!' Bang! Bang! Bang!
As soon as the idea of the Big Bang was proposed in the 1920s, astronomers set about trying to work out when the bang happened. Initial estimates were, not surprisingly, wildly inaccurate, but by the 1980s it was known that the universe was 15 billion years old, give or take 5 billion years.
All I ever hoped for was freedom of choice and to not have to just do work because I needed to pay the bills. If you can, weave your way into a studio in a situation where it's supportive of the other work you wanna do. Also, there is caliber and weight in studio films, and I think the ideal is to get that balance right: Do a studio film, go away and do something that is smaller.
Bang bang bang. I understand now why so many horror movies use that device-the mysterious knock on the door-because it has the weight of a nightmare. You don't know what's out there, yet you know you'll open it. You'll think what I think: No one bad ever knocks.
Sidharth and me were supposed to work much before Bang Bang, we were in talks for a few films which didnt work out.
A lot of writing I do on tour. I do a lot on airplanes. At home, I write a lot, obviously. When I write a song, what I usually do is work the lyric out first from some basic idea that I had, and then I get an acoustic guitar and I sit by the tape recorder and I try to bang it out as it comes.
When someone has too much of a thought-out idea, that can be a big obstacle to get anywhere. Because it's like [if] you have a preconceived idea of what's going to happen in the studio in an hour's time, then you're not free anymore and you lock yourself into your own expectations. I don't think that's very creative. It doesn't work well with me.
You should have something to say, an idea you want to get out, and if you don't, just get out of the way, 'cause there's so many great musicians and writers that are in the queue.
First of all, the Big Bang wasn't very big. Second of all, there was no bang. Third, Big Bang Theory doesn't tell you what banged, when it banged, how it banged. It just said it did bang. So the Big Bang theory in some sense is a total misnomer.
Doing 'Comedy Bang! Bang!,' you have to play at the top of your abilities, so it is so fun to get that opportunity. I've grown a lot as a performer just working with those guys.
Giving me a a new idea is like handing a cretin a gun, but I do thank you anyhow, bang bang.
This site uses cookies to ensure you get the best experience. More info...
Got it!