A Quote by PJ Harvey

I make tiny wooden people with bits of hair. Puppets and things like that. — © PJ Harvey
I make tiny wooden people with bits of hair. Puppets and things like that.
Sometimes, to keep things exciting, I decorate my house as if I owned a child. I'll toss a tiny pair of shoes in the hallway or lean small wooden crutches in what I refer to as 'the baby's room,' which is actually a tiny space where I make things. I continue to call it the baby's room because it confuses people and it's creepy.
You can exaggerate with puppets. You're not trying to look like real people. The way the Muppets are designed is really appealing. Puppets are best if they're exaggerated creatures.
Puppets are pure form then ideas for performance come out of that. It's always the form and the visuals and that's why I like to make puppets in a gallery or museum. They're not often in those contexts.
The question is, do we have a shadow government? And, if we do, who are those intelligent minority that is -- that is guiding us through? And where are they guiding us to? If you skip past all of the puppets and the strings, if you stop looking at the puppets themselves, you have to see who's behind the puppets. Who is choosing the puppets and the players? Who's the puppet master? George Soros.
I'm a collector - I collect everything. I can't throw things away. For some reason I think I'm going to need tiny wooden teddy bears with their arms hacked off.
Having watched 'X Factor' over the years, they just haven't got it right. The male winners haven't been believable. They look like puppets; they sound like puppets.
When I was younger, I thought that straight hair was, like, the only thing. So I was trying to be like Naomi Campbell or Tyra Banks. I didn't know that people would add hair for more length. I'm like, 'Oh all these people just have natural hair like this.' I obviously grew up and figured out that everyone does something to their hair.
The thing with animation is that you record the actors like a radio show and then the animators become actors in their own way because it's their job to take this puppets and make them seem alive. They bring their own personalities to the way they move these puppets.
We're also irreverent, we have an irreverent attitude towards puppets, as well. So a lot of what we do is we're kind of making fun of the puppets for being puppets, even while we're doing it. And again, that all feeds into the absurdity of this show.
Interviewer: 'So Frank, you have long hair. Does that make you a woman?' Frank Zappa: 'You have a wooden leg. Does that make you a table?
The older I get, the more I'm conscious of ways very small things can make a change in the world. Tiny little things, but the world is made up of tiny matters, isn't it?
I feel all agitated, like one of those snow globes you see resting peacefully on shop counters. I was perfectly happy being an ordinary, dull little Swiss village. But now Jack Harper’s come and shaken me up, and there are snowflakes all over the place, whirling around until I don’t know what I think anymore. And bits of glitter, too. Tiny bits of shiny, secret excitement.
It may be that we are puppets-puppets controlled by the strings of society. But at least we are puppets with perception, with awareness. And perhaps our awareness is the first step to our liberation. (1974)
It's helpful to be prepared to celebrate the tiny things that you can do, where you meet the world and you negotiate an outcome that's quite tiny. But you can still make it feel remarkable.
I have thick hair which is like Plasticine - it's mouldable. So I'll fashion it into some creation that looks presentable. I often wear it down because I have a tiny head and small face, and my hair adds volume to help disguise my pinhead.
I hate puppets so much. I dream about puppets all night. I see strings on people. The nice thing is we can just take a puppet and put it in front of a wall and blow the shit out of it.
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