A Quote by PJ Harvey
I have learnt through doing interviews throughout my life that the way that somebody can write about something can change entirely how it was meant, or what actually happened.
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With my friends, it was always essentially true stories. That's how I always felt about doing King-Cat. This is something that really happened, whether it makes me look good or bad, or someone else look good or bad. This is what happened, and it's my job in life to write it down. Nowadays, I'm a lot more conscientious about it. I'm not out to attack somebody in print.
Throughout all of the changes that have happened in my life, one of the priorities I've had is to never change the way I write songs and the reasons I write songs. I write songs to help me understand life a little more. I write songs to get past things that cause me pain. And I write songs because sometimes life makes more sense to me when it's being sung in a chorus, and when I can write it in a verse.
Life is meant for living.. I know that sounds simplistic, but how many days do you let slip by without really doing something, accomplishing something, making a life change, a lifestyle change?
Music actually meant something when I started doing it. Too bad I wasn't mature enough to write anything that meant anything.
I never meant to write about the experience of losing a good friend to breast cancer when I was going through it. But after it was over, I realized that although something deeply sad had happened, something truly beautiful also had.
I'm not an historian and I'm not wanting to write about how I perceive the social change over the century as a historian, but as somebody who's walked through it and whose life has been dictated by it too, as all our lives are.
What I wanted to do and what I needed to do was something entirely different, and through reading Roussel I learned that I could do what I wanted all on my own and that I didn't have to rely on what had actually happened in my somewhat limited life and reading.
I started doing cocaine to get through interviews, 'cause people wanted to know a lot about my personal life and I wasn't prepared for a 60 Minutes interview every time. Doing bumps I was able to get through the day, but then I would smoke weed to calm me down - it was the only way I could get through the day without people noticing I was doing it.
The first part of my life was to be an actor and maybe have some success at that. Then [it was time] to find somebody to be in a relationship with and have a life that way. Because of Parkinson's, I had to change: How can I be of service here? Is there something unique to my situation that I can use to help people? I did not have the wherewithal to invent that. It just happened in front of me and had me join in.
We learnt a lot from doing Panto, actually back when we were still doing 'SMTV: Live.' We learnt how far we could push things and the show was all the better for that. I think that taught us you really have to know your audience because you could see how they would react to things.
I learnt a lot about myself, I learnt a lot about other people and the problems they have. If I was lucky enough to live to a hundred, how I will feel about two per cent of my life being that way, I don't know.
The edge came from the slights I've had throughout my life, the slights I have dealt with through the entirety of my life. It wasn't one day when somebody said something and that made me upset and now I'm over it. I'm not going to stop playing with an edge because that's what got me here. That's just how I play the game. I can't play any other way.
I always try to write about something that's actually happened or it doesn't always have to have happened to me, but it has to have happened at some point. So every single lyric that you hear comes from some kind of story that I've come across in my life. I like to think that that maybe helps me mean it a bit more and if you don't mean it, it ceases to be soul music.
I'm still not entirely sure how 'Pretty Girl' blew up the way it did. It wasn't really meant to. The song was originally meant for a compilation tape for a magazine called 'The Le Sigh', and I made the video in about 30 minutes.
My father spoke with something very similar to a 1920s newscaster type of English, and I learnt that accent of power in post-colonial Zimbabwe. So I learnt that, and I learnt how to copy it, and I learnt how to shift in and out of it, but also talk like my mother's relatives in the village.
There are mean people out there, and they're cruel, they're bullies to all kinds of people. Some are based in race; some are based in the way other people look; some of it's politically based. But there's all kinds of it. Everybody goes through life being tormented at times by something. Something as simple as just going through four years of high school can ruin somebody's confidence, just because of things that happened there. The key to it all is being taught how to deal with it and how to not let it mar your own opinion of yourself.
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