A Quote by PJ Harvey

The craft, the writing of a song, is about creating a story, a life story, a world within three minutes, but that's the frame, if you like, the picture frame. That fascinates me.
Pictures could not be accessories to the story -- evidence -- they had to contain the story within the frame; the best picture contained a whole war within one frame.
The framed tale is, in my opinion, one of the most natural ways to tell a story. If you think of it, the conceit of the frame-less story is actually the odd way of doing things. Without the frame, how do you know the context for a story?
One thing that's really pulled me in to helping artists create their album is that I get to help them tell a story. It's about the way you frame that story and finding the best way to tell that story.
I am very excited to work with people who have a strong vision of what they want. They're trying to tell a story, and they want to use me. I'm there to facilitate that. I really like that. I'm like, "Tell me where your frame is. Tell me what you want, what kind of story you want, and I will facilitate it." That's sort of my job, and it makes my work better when I'm working in that kind of a frame, and hopefully it's their work. It's incredibly collaborative, in the sense that you're working toward a common goal.
But I think for me, writing poetry when I was younger really helped me to condense an idea or a story into only so many words, because in a song you really only have three, four minutes to have a complete world in this song, so I think it definitely taught me to be concise.
I think about photographs as being full, or empty. You picture something in a frame and it's got lots of accounting going on in it-stones and buildings and trees and air - but that's not what fills up a frame. You fill up the frame with feelings, energy, discovery, and risk, and leave room enough for someone else to get in there.
If life is envisioned as a continuously running motion picture, the keeping of a notebook stops the action and allows a meaningful scene to be explored frame by frame.
'The 25th Hour' came out of the decision - a really very conscious decision - that I needed a story set within a compressed time frame because that would help focus the story.
I think because it is a very well-saturated story,episode of Justified in Hannibal, and we've all heard it in some frame of a story, we've heard the urban legend of waking up in a bathtub with a kidney missing. It felt like if we are telling an organ-harvesting story, it was really about quickly selling the iconography of an organ-harvesting story, and then being able to mask that as a perfect way for Hannibal Lecter to go shopping for his menu.
I'm always excited to carry more and more weight and responsibility within a story. It's all about putting my time in and showing people that I'm good and responsible and, hopefully, kicking ass in every frame.
'Farscape' is a story about family. It's a story about creating life in a harsh environment. That's what a lot of people relate to in the story.
It's writing songs within the structure of telling a story, so it becomes a platform for diverse songwriting, for a writing process that's broader than just figuring out a song. You're also dealing with always pushing the story forward, with casting the voices, with the orchestration, with the arrangements.
You need a continuous picture of how things are evolving, and not a slow series of snapshots where you don't know how frame A is related to frame B.
The time frame is summer 1961, a year after the gold medal in the National Science Fair. I always saw my 'Coalwood' books as a trilogy. This book finishes the story of my life in Coalwood. I think it's the best of the three.
The art of the dramatist is very like the art of the architect. A plot has to be built up just as a house is built-story after story; and no edifice has any chance of standing unless it has a broad foundation and a solid frame.
Writing a song is about inhabiting a specific frame of mind and conjuring a mood, a character, an entire vision.
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