A Quote by PJ Harvey

You can sing a very aggressive word in such a way that it's very funny. You can change words, completely turn them around on their head so that they mean exactly the opposite of what they are written down. There are endless possibilities which I think Diamanda Galás is doing already. She turns everything upside down by the way she sings it. She makes you feel nauseous or horrified or ridiculous just by her voice. I think that's an incredible power.
She didn't care anymore... and she got no pleasure from the work she did, but she did it. Everything bored her. She found that when she didn't have a notebook it was hard for her to think. The thoughts came slowly, as though they had to squeeze through a tiny door to get to her, whereas when she wrote, they flowed out faster than she could put them down. She sat very stupidly with a blank mind until finall 'I feel different' came slowly to her mind. Yes, she thought, after a long pause. And then, after more time, 'Mean, I feel mean.
My youngest daughter sings. She's going to be very good. She's graduated from Music School and she's been working down around and getting her feet wet, you know. I had her out with me for a year just showing her the ropes a little bit, but she's going to be all right.
I noted about Cate Blanchett was her very positive lack of concern for how she turns out in Cinderella. She is happy to be a villainess and very pleased to be encouraged as I did with her to reveal this backstory and feel as though this was very human, that this broken heart of hers, if you might regard it that way, would be visible, but she never played for sympathy and I really admired that about her, so she's just there, she just is and uncompromisingly.
People think Paris [Hilton] is a ditzy blond, and I don't want to blow it for her, but she plays it really well. She knows exactly what she's doing. She's actually a pretty smart person. She's very cognizant of what she's doing, and she kind of plays that role, so people think she's some airhead but she's really not.
[Adrienne Shelly] explain exactly what she was looking for. This was her movie [Waitress].She also wrote the songs that I sing in it. She wrote everything. She chose the colour of our outfits; she designed the set of the diner. She was very, very involved at every level.
...because in a way it happened to someone else. I don't really speak that person's language anymore, and when I think about her, she embarrasses me sometimes, but I don't want to forget her, I don't want to pretend she never existed. So before I start forgetting, I have to get down exactly who she was, and exactly how she felt about everything. She was me a lot longer than I've been me so far.
At last, she makes her choice. She turns around, drops her head, and walks toward a horizon she cannot see. After that, she does not look back anymore. She knows that if she does, she will weaken.
When Gypsy was older, after she became Gypsy Rose Lee, I think she was both proud and slightly ashamed of her Seattle roots. She worked very hard to rid her voice of any trace of a local accent, cultivating an affected way of speaking that sounded as if she pinned the ends of her words.
She navigated away from the Parish Council message board and dropped into her favorite medical website, where she painstakingly entered the words "brain" and "death" in the search box. The suggestions were endless. Shirley scrolled through the possibilities, her mild eyes rolling up and down, wondering to which of these deadly conditions, some of them unpronounceable, she owed her present happiness.
Ella knows her way around her voice as very few people today. But there are times when she seems to be unaware there are things the human voice just doesn't do. She does them.
My Auntie CeCe - I can kind of joke and say all I need to do is pray. But that's literally what she does... She lives what she sings. I've learned a lot about her in that way, so in bringing her to the stage, I knew what sort of demeanor she needed to have. Her songs are very reflective of who she is in real life.
Angela Bettis - I can't say enough about her. She is just an incredible presence. She is very petite and soft, while she still has this power that floats around her.
But she did not take her eyes from the wheels of the second car. And exactly at the moment when the midpoint between the wheels drew level with her, she threw away the red bag, and drawing her head back into her shoulders, fell on her hands under the car, and with a light movement, as though she would rise immediately, dropped on her knees. And at the instant she was terror-stricken at what she was doing. 'Where am I? What am I doing? What for?' She tried to get up, to throw herself back; but something huge and merciless struck her on the head and dragged her down on her back.
I think the way I feel when I look at Evan comes from her. In pictures taken the day she married my dad, she was reckless, laughing, spinning around in circles. She looked like her whole world was him. She looked a kind of happy I can't even imagine. I don't want that. I don't want to be like that. I don' want to feel the way she did because I know what happens when you do. You love with your whole heart, with everything, and you wake up one morning and kiss someone good-bye the way you always do except you mean it as good-bye forever.
I've known Carolyn [Maloney] for years, by the way. I knew her when she was on the City Council and knew her when she was - when she was running, and we endorsed her very early when she ran for Congress, yet I didn't know some of the stories in here of herself and her struggle, and - and she makes a very - you know, it's - it pulls your heart as well as - but it's very practical.
"Baby, you know?" my mother once said to me. "I think you're the greatest woman I've ever met - and I'm not including my mother or Mrs. Eleanor Roosevelt in that." She said, "You are very intelligent and you're very kind, and those two qualities do not often go together." Then she went across the street and got in her car, and I went the other way down to the streetcar. I thought, "Suppose she's right. She's intelligent - and she's too mean to lie." You see, a parent has the chance - and maybe the responsibility - to liberate her child. And my mom had liberated me when I was 17.
This site uses cookies to ensure you get the best experience. More info...
Got it!