A Quote by PJ Harvey

When I'm writing for rappers it's kinda like switching, "Okay, you're not PJ. Now you have to act like a rapper." — © PJ Harvey
When I'm writing for rappers it's kinda like switching, "Okay, you're not PJ. Now you have to act like a rapper."
When I saw rappers in the '90s cameo in films - all of those '90s rappers - it seemed like whenever you chucked a rapper in a film, they could just act. It seemed like all rappers could act.
Like I have to pretend like I'm a male rapper, that I got stacks and we're in the club, and what do I want to say. And then, when writing Rare I could just be PJ.
When I did 'Funkdafied' with JD, he was like, 'Okay, look Brat. I'ma tell you now - female rappers pretty much only go gold. So if it doesn't do whatever, don't be disappointed.' And I was like, 'Okay... I just want to do music.'
I'm not like, 'I act.' I'm like, 'I'm kinda floating. I kinda did this movie; it was kinda like going to camp, and I don't really know what any of this means!'
As a rapper, you sort of act in music videos and in the persona you adopt onstage. You kinda have to put yourself out there and be courageous even to be a rapper. So, to step into acting was not that difficult a transition to make.
There's a broad range of male rappers, so if they're going out on a limb and they sound different, it's okay, because we have 20 other rappers doing what the radio wants... as far as females, there aren't as many, so if you want to compete, you have to sound just like this, because that's the only thing hot right now.
I was like just writing and writing and then I kinda developed my sound. And then, my managers were like, "Okay, we're gonna try to get a deal." And then first it was Interscope, and then it was Atlantic. And then, I ended up signing with Atlantic, but it was like a long process, a really long... it was A LONG PROCESS. I feel like it took me two years to do it.
I just feel like, with rappers, there's so much complacency. It's like, 'Oh, I'm a rapper. I'm successful. I make money. That's all that matters.' But there's a lot of stuff going on in the world. Whether or not you're aware of it, it's happening.
I care most about what rappers think about me as a rapper, and I've gotten a lot of praise. I think rappers understand I'm a really good rapper, and that means more to me than a random person, you know, 'cause they know what goes into making rap music.
Honestly, I personally would prefer to have my name not mentioned alongside codifiers, like 'white rapper' or things like that, because the codifiers I like are Texas rappers. If you were to compare me to Lil' Keke or the people that really inspired me, like UGK... In my mind, that's who I think I should be compared to.
You take the quote from Sam Jackson about how he'll never work with a rapper, and I can understand where he's coming from because he says rappers can't act.
I am a rapper. The reason why I was against the whole rapper title is because I know so many people who want to be rappers and they're not.
I like all like classic rock bands like The Beatles and The Who and stuff and Led Zeppelin so I kinda dress like that. Kinda retro I guess. Well not retro but, like tight. I don't know. Like just jeans and shirts. I don't know. Kinda rock and roll I guess.
I've never been competing with rappers about who's the best rapper. I've been making songs that people like.
I think artists should be able to do different things whenever they want and I like the way I am. I'm like - I ain't gonna say the only street rapper, but the only mainstream, new, young street rapper there is right now and I'm doing well with it.
Despair kinda smells like burnt hair. Sounds great, but smells lousy. Now fear... fear you can taste! Let's see, fear kinda tastes like... like peaches, peaches covered with fresh bone marrow
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