A Quote by PJ Harvey
I've always been very politically interested from a very young age and I hadn't felt that was something I could begin to bring into my songwriting because I hadn't felt I'd reached the stage, that I had the skill with language enough, yet, to do that.
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I learned construction and carpentry from my father at a young age, so I felt very comfortable and I felt very satisfied when I worked in that field.
Philanthropy has always been something that I've been kind of interested in because I think it was instilled at a very young age through my parents.
I've never been lonely. I've been in a room... I've felt suicidal, I've been depressed. I've felt awful ... awful beyond all , but I never felt that one other person could enter that room and cure what was bothering me...or that any number of people could enter that room. In other words, loneliness is something I've never been bothered with because I've always had this terrible itch for solitude.
The young Steve Jobs had a hard time articulating something that didn't exist. He could see it, taste it, knew what it felt like, but he didn't have all the language because it hadn't been invented yet. People didn't fathom the personal computer on a mass produced level.
I felt suddenly very young - or perhaps I felt my age.
I left film because I felt that photography was my art. It was something I could do on my own, whereas film was so collaborative. I thought as a photographer I could make something that was artistic and that was mine, and I liked that. And it wasn't until I got back into film and I have very small crews and I could do very tiny filmmaking that wasn't 100 people that I still felt that I was making something artistic as a filmmaker. So, you know, I'm an artist, and whether it's photography or film, I want my voice to be there and I think my voice is very strong in this film.
The second album was emotionally exhausting and my life felt like it had become very serious at a very young age.
Growing up in Texas, I was already dealing with the fact that I didn't even know I was Asian until a certain age. I just was informed about it in a somewhat negative way by my peers. And that immediately put me into that mindset where I felt very othered. My safety always felt like it wasn't something that I could consider a given.
Because my mom always told me that I could. From a very early age, I felt comfortable leading.
It's very hard to reflect properly when you're still playing but the hundreds one - when I got my 23rd in Kolkata - felt the most special because it broke a benchmark that had stood for a very long time. It felt good to do something no Englishman has done before.
I felt quite frankly having been raised during the depression and looking back at the roaring twenties, the jazz age, which was a very magic timer in my mind because it was something that I had missed.
I've always felt that I'm affected by the world, by the way we treat each other, by the way different countries treat each other. I've always been very affected by politics, society, but I never got to a place as a writer where I felt like I could begin to deal with such things and do it well.
I was a lonely, frightened little fat kid who felt there was something deeply wrong with me because I didn't feel like I was the gender I'd been assigned. I felt there was something wrong with me, something sick and twisted inside me, something very very bad about me. And everything I read backed that up.
I've never been a frustrated person because I learnt at a very young age that the frustration I had inside of me had to do with creativity and the ability to transform that into action. I realized very early my restlessness had to be channelled into things I could do.
I always felt that with an Antoine Doinel film, Truffaut was taking a vacation, that Francois could relax when making a Doinel film. All of the language came to him very easily. 'The 400 Blows,' I felt, was a collage of all his childhood experiences. Every time he felt an Antoine Doinel film was necessary, he'd make one.
It was difficult when I was very young because I was so separated from my family. When I was at school or acting in a play, I felt very much part of something, and then it would always change, and I would be by myself.
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