A Quote by Placido Domingo

When I was a young man, I was a baritone, very far from possessing the whole range of the tenor then. — © Placido Domingo
When I was a young man, I was a baritone, very far from possessing the whole range of the tenor then.
I wish I had a better range, but I really have a super-limited one. Barely a tenor, dips into baritone - that's about it.
I'm a natural baritone, so I had challenges in that middle range, which would be that tenor area, singing in my natural voice. And I worked on that. But basically the falsetto thing, I didn't even know it was a falsetto until a music teacher commented on it, that I had a very nice falsetto. I didn't even know what it was. I said, 'Oh, OK.'
The baritone can serve functions that the alto and tenor cannot, in orchestral voicing
The baritone can serve functions that the alto and tenor cannot, in orchestral voicing.
Opera is when a tenor and soprano want to make love, but are prevented from doing so by a baritone.
I don't have that kind of voice, the big baritone or rousing tenor sound. My wheelhouse was in the frothier pieces. So my appreciation for those older musicals and revivals grew.
My voice gets recognized before anything else. It's always gotten attention. In choruses at church and school, I started as a tenor, moved to a baritone and finally became a bass. I knew then that my voice would be my instrument. Now if I want to hide, I just keep my mouth shut.
The soprano has all those other instruments in it. It's got the soprano song voice, flute, violin, clarinet, and tenor elements and can even approach the baritone in intensity.
I was always mimicking high-register singers as a kid but I also studied operating as a baritone because I'm a natural baritone.
When an old man and a young man work together, it can make an ugly sight or a pretty one, depending on who's in charge. If the young man's in charge or won't let the old man take over, the young man's brute strength becomes destructive and inefficient, and the old man's intelligence, out of frustration, grows cruel and inefficient. Sometimes the old man forgets that he is old and tries to compete with the young man's strength, and then it's a sad sight. Or the young man forgets that he is young and argues with the old man about how to do the work, and that's a sad sight, too.
Between now and then, after 43 years of European marriage, the whole body of legislation will therefore have to be disentangled. That entails a whole range of specific and very complex questions: what will be the future legal status of the millions of EU citizens in the UK and the millions of Britons on the continent?
When I was very young, I started trying to sing like the great tenor Mario Lanza; my family used to play his records. We all learn best by imitating others.
I would sit in at a jazz brunch [at sweet Basil] with Eddie Chamblee, who was a great tenor player. Really a kind man. The whole band was great.
It was the nearest to a casualty on the Spray in her whole course, so far as I know. The young man having come on board with compliments made the mishap most embarrassing.
Yet our interests, the interests of the Russian Federation, include the normalisation of relations with Japan, which is not at the bottom of the agenda. The whole range of what will be proposed for a solution, the entire range of matters related to the normalisation of our relations and what that would bring after normalisation, this is the whole range of issues to be discussed and decided, and those decisions should be of a practical nature.
I can hit baritone notes, and I can sing in the soprano range if I wanted to. I did this thing a long time ago where I did a duet with myself. I sound like two different people.
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