A Quote by Plato

The passionate are like men standing on their heads, they see all things the wrong way. — © Plato
The passionate are like men standing on their heads, they see all things the wrong way.
Why does man not see things? He is himself standing in the way: he conceals things.
One of the things we learn in movies directed by men is what the 'fantasy woman' is. What we learn in movies directed by women is what real women are about. I don't think that men see things wrong and women right, just that we do see things differently.
In one way, I was always hip. I was hip in kindergarten. I was different from the others. There was something wrong with me, I thought, because I seemed to see things people didn't see. I always saw things in a hallucinatory way.
The shots had dispersed the birds; there remained only two marabous, standing between ten and twenty paces away and plunged in reverie. They were like two old men with bald heads pressed between the shoulders.
No one ever gets to see Foley artists at work, and they're so strange. They see the world differently: things as things that might make sounds that sound like other things. They see the whole world that way - like when you're a house painter, all you see is a bunch of houses that need painting.
It is the little things that throw me - the wrong pen, the wrong font. An interview done standing up is a disaster. I need my knees to rest notes on.
As soon as you begin to say We have always done things this way -- perhaps that might be a better way, conscious law-making is beginning. As soon as you begin to say We do things this way -- they do things that way -- what is to be done about it? men are beginning to feel towards justice, that resides between the endless jar of right and wrong.
I don’t like to live in fear about things like rumors and backlash to begin with - that’s the way I was raised - but I just can’t see what’s so wrong about being gay.
I'm not doing it to pander to people. I just always knew what I liked versus what I don't like. I never liked things with too many zippers or spikes and stuff. That weirds me out. I like things that are pretty. And I think it's great to be pretty. I like being feminine. I think it's good to be feminine. We don't need to look like men or dress like men or talk like men to be powerful. We can be powerful in our own way, our own feminine way.
There must be a marsh in the brains of these men or there would not be so many frogs of wrong ideas gathered in their heads.
In my experience as a director, I think there is obviously something of the way men - maybe that's a common point with Shirin - the way men see women in the film, and the way these two characters see each other.
The writer is a person who is standing apart, like the cheese in 'The Farmer in the Dell' standing there alone but deciding to take a few notes. You’re outside, but you can see things up close through your binoculars. Your job is to present clearly your viewpoint, your line of vision. Your job is to see people as they really are, and to do this, you have to know who you are in the most compassionate possible sense. Then you can recognize others.
We will have gone from men telling us condescendingly to not bother our pretty little heads about important things like politics, to not bothering our pretty little heads without even being told not to! The suffragettes struggled and suffered so much on our behalf; what a travesty of everything they stood for, if we simply look away as though we can't be bothered.
Parliamentary government is simply a mild and disguised form of compulsion. We agree to try strength by counting heads instead of breaking heads, but the principle is exactly the same... The minority gives way not because it is convinced that it is wrong, but because it is convinced that it is a minority.
I walk up and down the rows. The heads look like rubber halloween masks. They also look like human heads, but my brain has no precedent for human heads on tables or in roasting pans or anywhere other than on top of a human bodies, and so I think it has chosen to interpret the sight in a more comforting manner. - Here we are at the rubber mask factory. Look at the nice men and woman working on the masks.
It's interesting to see how 'Arth' still touches a chord in people's hearts all these years later. Men were very hostile when the film was shown in 1984. They were angry and said things like I'm teaching women wrong things by saying they have the choice to walk out of their husband's home if they are cheated upon.
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