A Quote by Plato
For when there are no words, it is very difficult to recognize the meaning of the harmony and rhythm, or to see any worldly object is imitated by them.
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Style is a very simple matter; it is all rhythm. Once you get that, you can't use the wrong words. But on the other hand here am I sitting after half the morning, crammed with ideas, and visions, and so on, and can't dislodge them, for lack of the right rhythm. Now this is very profound, what rhythm is, and goes far deeper than any words. A sight, an emotion, creates this wave in the mind, long before it makes words to fit it.
Harmony is the third element of music, after melody and rhythm, and also the one which requires the most study to actually master. People can be very instinctive and extremely gifted melodically and rhythmically, and harmony can still be difficult.
Rhythm and melody enter into the soul of the well-instructed youth and produce there a certain mental harmony hardly obtainable in any other way. . . . thus music, too, is concerned with the principles of love in their application to harmony and rhythm.
It is difficult to see the great dance effects as they happen, to see them accurately, catch them fast in memory. It is even more difficult to verbalize them for critical discussion. The particular essence of a performance, its human sweep of articulate rhythm in space and in time has no specific terminology to describe it by.
Plato defines melody to consist of harmony, number and words: harmony naked of itself, words the ornament of harmony, number the common friend and uniter of them both.
I see only one requirement you have to have to be a director or any kind of artist: rhythm. Rhythm, for me, is everything. Without rhythm, there's no music. Without rhythm, there's no cinema. Without rhythm, there's no architecture.
I have a problem with writer/directors, personal. I can't work well with both of them on the set, if both of them are giving instructions. Writers tend to be in love with what they wrote. You can't always translate the words into the meaning, sometimes the meaning is better served without the words, difficult to make a writer to try to understand that. It gets, sometimes, tense.
A Hamilton-Vettel combination, on paper, would look very attractive to any team. However, what you have to look at is the dynamics of any partnership like that and it's difficult to see how two sportsmen at the absolute top of their game could work in harmony under one roof.
I draw things on the paper very freely but believing there is meaning to them already. There is already meaning in the colors, I don't need to be guided by words. I draw them and the meaning comes after. Every time we would start a new sequence we would change everything.
I see things in hardcopy that I miss if I only see words on screen. I do get sick of the words, but I like to see everything spread out because I get a sense of scale that is missing from screen. Going over each sentence many, many, many times gives me incredible intimacy with sentences, especially their rhythm. The rhythm and music of words matter a lot to me and it only takes one misplaced word to spoil the music.
My friendships, they are a very strong part of my life, they are as light as gossamer but also they are as strong as steel. And I cannot throw them off, nor altogether do with them or without them. And I love them at the point where they say: It is nice to see you again. And I love them too at the point when they say: Good-bye, come again soon. The rhythm of friendship is a very good rhythm.
The key is realizing - and believing - that this world is not your home. If you and I ever hope to free our lives from worldly desires, worldly thinking, worldly pleasures, worldly dreams, worldly ideals, worldly values, worldly ambitions, and worldly acclaim, then we must focus our lives on another world.
It's very difficult, when you're in and out of the team as a player, to get any sort of rhythm.
When any civilization is dust and ashes," he said, "art is all that's left over. Images, words, music. Imaginative structures. Meaning—human meaning, that is—is defined by them. You have to admit that.
It is difficult to feel sympathy for these people. It is difficult to regard some bawdy drunk and see them as sick and powerless. It is difficult to suffer the selfishness of a drug addict who will lie to you and steal from you and forgive them and offer them help. Can there be any other disease that renders its victims so unappealing?
Words are difficult and photography takes the words away from things. It's difficult to talk about something that seems to come very naturally to you, to explain a process. A moment is really difficult to put on paper.
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