A Quote by Plutarch

It is a high distinction for a homely woman to be loved for her character rather than for beauty. — © Plutarch
It is a high distinction for a homely woman to be loved for her character rather than for beauty.
It has always been preferable to attribute a woman's success to her beauty rather than to her brains, to reduce her to the sum of her sex life.
Man is more courageous, pugnacious, and energetic than woman, and has a more inventive genius. His brain is absolutely larger, but whether relatively to the larger size of his body, in comparison with that of woman, has not, I believe been fully ascertained. In woman the face is rounder; the jaws and the base of the skull smaller; the outlines of her body rounder, in parts more prominent; and her pelvis is broader than in man; but this latter character may perhaps be considered rather as a primary than a secondary sexual character. She comes to maturity at an earlier age than man.
Ours is indeed a culture that tends to assign value to a woman based on her sex appeal rather than her character, and that’s something we must work to change.
When a plain-looking woman is loved, it is certain to be very passionately ; for either her influence on her lover is irresistible, or she has some secret and more irresistible charms than those of beauty.
To be a woman condemned to a wretched and disgraceful punishment is no impediment to beauty, but it is an insurmountable obstacle to power. Like all persons of real genius, her ladyship well knew what accorded with her nature and her means. Poverty disgusted her -subjection deprived her of two-thirds of her greatness. Her ladyship was only a queen amongst queens: the enjoyment of satisfied pride was essential to her sway. To command beings of an inferior nature, was, to her, rather a humiliation than a pleasure.
Contradiction is the heart and soul of character and drama. You're always looking for it. I loved her so much I hit her; that's character. I loved her so much I hit her again; that's even more character.
I 'd rather be handsome than homely; I 'd rather be youthful than old; If I can't have a bushel of silver I'll do with a barrel of gold.
The beauty of a woman is not in a facial mode but the true beauty in a woman is reflected in her soul. It is the caring that she lovingly gives the passion that she shows. The beauty of a woman grows with the passing years.
The vainest woman is never thoroughly conscious of her beauty till she is loved by the man who sets her own passion vibrating in return.
Developing a character with genuine depth requires a focus on not just desire but how the character deals with frustration of her desires, as well as her vulnerabilities, her secrets, and especially her contradictions. This development needs to be forged in scenes, the better to employ your intuition rather than your intellect.
With a woman I try to photograph her beauty; with a man I try to show his character. Once I photographed a man with a big nose (Jimmy Durante), and emphasized his nose, and he was very pleased with the picture. That could not happen with a woman. The most intelligent woman will reject a portrait if it doesn't flatter her.
Character contributes to beauty. It fortifies a woman as her youth fades. A mode of conduct, a standard of courage, discipline, fortitude, and integrity can do a great deal to make a woman beautiful.
The beauty of a woman transcends all other forms of beauty, as well in the sweetness of its suggestions, as in the fervor of the admiration it awakens. The beauty of a lovely woman is an inspiration, a sweet delirium, a gentle madness. Her looks are love-potions. Heaven itself is never so clearly revealed to us as in the face of a beautiful woman.
Character contributes to beauty. It fortifies a woman as her youth fades.
A woman's best qualities do not reside in her intellect, but in her affections. She gives refreshment by her sympathies, rather than by her knowledge.
We love a girl for very different qualities than understanding. We love her for her beauty, her youth, her mirth, her confidingness, her character, with its faults, caprices and God knows what other inexpressible charms; but we do not love her understanding.
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