A Quote by PnB Rock

I like 'Confide' a lot. It was just like a great vibe for me. I was in the studio in Atlanta, and I recorded it and thought, 'This is definitely going on my album.' — © PnB Rock
I like 'Confide' a lot. It was just like a great vibe for me. I was in the studio in Atlanta, and I recorded it and thought, 'This is definitely going on my album.'
I read the reviews sometimes, but I don't let it really affect the next album because, for me, when I approach an album, it's usually coming to me pretty naturally. It's not like I set out, like, "Okay, I'm going to write an album this month." It's more like I'm just always writing songs and eventually I start to realize that a group of songs sort of fits together, and I go from there in putting together the album and themes and artwork and things like that.
I like Atlanta a lot but no place beats my house. I just like the Black success in Atlanta. I loved being surrounded by that.
I'm listening to a lot of Drake, and a lot of Frank Sinatra just because it's his centennial also. I'm going to be doing some tributes to him this year. I love that Beck album. It was funny to me because my two favorite albums of the year were definitely the Beyonce album and the Beck album.
I've just built a studio in my mama's old bedroom, which I thought was fitting; she died last year. We've recorded nine songs recorded in there already; we're sort of just chipping away.
One day I was in the studio with my cousin. My dad was on tour at the time, so just for fun I recorded some stuff with my cousin. We were just playing around. After my dad got back, one day he played what we recorded. He heard my part and was like, "Who is that?" My cousin was like, "Uh, that's your son!" So he was like, "That's hot. You wanna make a record?"
I definitely want to put out and album, kind of like a Kelly Clarkson vibe: a soulful voice with a pop rock background. I think it's something that I've always loved and always loved to perform. So that's the kind of album that I'd like to put out.
There are a lot of great recording artists, like Jack White and Jack Johnson, who stay confined inside a very small box, but I'm more like Bon Iver, who recorded an album with programmed drums, and the next record was totally organic. I get that.
Recognizing absolutely depends on the public that I'm out with. If I'm in Atlanta, it's definitely Why Did I Get Married. If I'm in Seattle, it's Spawn or something like that. I'm known for a lot of different things. People will call me Bone a lot, the action aficionados.. People who like comedy, they call me Black Dynamite.
I always looked up to great actors and great films. A lot of my family would be like, 'Come on, you should get into these plays that are going on.' I'm like, 'Nah, nah, music's my thing.' I just fell into it. I moved to Atlanta, got with an agency out there, started doing little voiceover commercials, and it started getting kind of fun.
Albums tend to dictate what they need. Every time I have made an album it sort of feels like it is decided for me how that album is going to sound; it is not really a cerebral decision where you sit down and decide that you are going to make an album that sounds like 'this.'
I love being in the studio. It's really great. I like it a lot. But of course, I like performing more. But when I'm in the studio mode, it's cool. I like to really focus on it.
I just don't like my voice in the studio, and I just don't like the studio, I'm not a studio-head. And that's why you don't get so much material from me.
I recorded a lot of songs that I knew I didn't like just because maybe part of me wanted to be nice, maybe part of me just wanted to be in the studio, but I've been learning that it's really important to do what you want to do. Even though I might not write all of it, I am still picking out the songs that I want to do. A lot of people who are writing for me are people I have worked with for a while so they know who I am and what I want. I have a lot of opinions and I have learned that it is absolutely okay to express them and to say, "No, I don't want this."
I remember going on iTunes and 'Hamilton' was like the number one rap album, above like Fetty Wap, which is just impossible, like a Broadway cast album.
I think there's an attitude these days that you can go straight from a studio to the stage, and it isn't really like that. But playing live was the most important thing for me at the start because whenever I recorded something, it didn't sound right; I didn't like how my voice sounded. It was just raw.
I like a lot of ratchet, trap music. Definitely 21 Savage. We need some music like that. ManMan Savage. A lot of the Atlanta scene. But Philly, too.
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