A Quote by Poe Ballantine
I studied a truckload of true crime, praying for illumination, but most true crime relies on luridness and voyeurism for effect.
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I grew up reading crime fiction mysteries, true crime - a lot of true crime - and it is traditionally a male dominated field from the outside, but from the inside what we know, those of us who read it, is that women buy the most crime fiction, they are by far the biggest readers of true crime, and there's a voracious appetite among women for these stories, and I know I feel it - since I was quite small I wanted to go to those dark places.
I'm Marie Lightfoot, or at least that's the name my publisher puts on the covers of the books I write about true crime. In classic 'true crime' fashion, my latest one is titled 'Anything to Be Together.'
'Fargo' becomes a metaphor for a type of true crime case where truth is stranger than fiction. So, there's no reason that there isn't another 10-hour true crime story that could be told in this region.
I'm asked unendingly to become involved in series involving true crime and as it so happens the Netflix series that I'm working on is about a true crime.
The greatest myth about mass incarceration is that it has been driven by crime and crime rates. It's just not true.
It is a strange thing that true crime has now got entertainment value. I don't know why people love shows about crime so much.
The best crime stories are always about the crime and its consequences - you know, 'Crime And Punishment' is the classic. Where you have the crime, and its consequences are the story, but considering the crime and the consequences makes you think about the society in which the crime takes place, if you see what I mean.
suicide is a crime - the only crime that, if successful, guarantees that the perpetrator will not be punished for it. This makes it the most serious crime of all.
We are not prepared to consider special category status for certain groups of people serving sentences for crime. Crime is crime is crime, it is not political
I've consumed true crime since first discovering 'Helter Skelter' by Vincent Bugliosi in a used bookstore at age 9 or 10 and staring in fascination and horror at the crime-scene photos in the middle.
Another tormentor inquired if it was true that I had installed two ping-pong tables in my basement. I asked, was it a crime? No, he said, but why two? Is that a crime? I countered, and they all laughed.
What's true for New York is true for most of the country: We are a long way removed from the double-digit interest rates and unemployment rates, and the soaring crime rates, of the early 1980s.
'By Any Means' follows a team of behind-the-scenes crime-prevention team - not police. They basically go to the areas of crime where the police can't touch and organised crime fighting units can't go to - in the public eye - to bring about real justice, treading the line between 'true' justice and what the law says is justice.
As witnesses not of our intentions but of our conduct, we can be true or false, and the hypocrite's crime is that he bears false witness against himself. What makes it so plausible to assume that hypocrisy is the vice of vices is that integrity can indeed exist under the cover of all other vices except this one. Only crime and the criminal, it is true, confront us with the perplexity of radical evil; but only the hypocrite is really rotten to the core.
Once I got interested in organized crime, and, specifically, Jewish organized crime, I got very interested in it. I have learned that, like my narrator Hannah, I'm a crime writer in my own peculiar way. Crime with a capital "C" is the subject that I'm stuck with - even Sway is about "crime" in a certain way. The nice thing about crime is that it enables you to deal with some big questioO
I pitched the idea to FX that there's this larger 'Fargo' universe where there's true crime in the upper Midwest, and I can tell stories from any era of that. Maybe they connect to the first season or the movie, or maybe they don't. It's just a style of storytelling. We're under the auspices of being a true story that isn't true.
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