A Quote by Pola Negri
The presentation of hard core pornography, brutality and shocking language, from what I hear, is leaving the public jaded and tired of this kind of film.
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That’s hard core, Gin,” Finn replied. “Very hard core. Kind of kinky too.” A grim smile tightened my lips. “That’s me. Gin Blanco. Hard core and kinky to the bitter end.
I would never do hard-core pornography, because it looks too much like open-heart surgery.
The language we share is at the core of our identity as citizens, and our ticket to full participation in American political life. We can speak any language we want at the dinner table, but English is the language of public discourse, or the marketplace and of the voting booth.
For film, you know, the Tarantinos and Nolans of the world who are very focused on a certain kind of film aesthetic and a certain kind of presentation, to be honest, that comes from a place of privilege. It comes from a place of always having access to such, but when you ain't never - you can't see it because you can't even get to it.
One [paradox] is that pornography follows in that wake of women's liberation. The first instances of hard-core pornography were in late 18th-century in France, "the Golden Age of Women." The next wave in the 20th century comes from Sweden, one of the first countries where women voted. Then Germany, again, at the forefront of progress. Then America in the '80s, when women were closing the pay gap. And Japan, same thing.
I feel like if you know any women who's an essayist or a writer or a public speaker or just a public person, and they have any presence at all in any kind of social media, or any place where men can voice at them, you have to be pretty amazed at the level of special provocation and sort of violent speech and misogyny that comes at them. Any woman that's really in the public sphere has experienced this. It's kind of shocking how universal it is.
In Japan, violence isn't as controversial as it is in the West. Pornography is more restricted, but it's not hard to make a crazy, extremely violent film.
I don't think that my work appeals that much to the hard-core, avant-garde film audience. They appeal to people who teach film and those establishment figures on the East Coast.
Doing 'Marine 3' and 'Marine 4,' and kind of knowing what's in store, I knew that when you do a 'Marine' movie that it's hard days, it's long days and all that. You're tired, your body's tired, your mind's tired, but you have to do the acting, you have to do the stunts, you have to do everything.
If female liberation is to happen, if the reservoir of real female love is to be tapped, this sterile self-deception must be counteracted. The only literary form which could outsell romantic trash on the female market is hard-core pornography.
I'm a little tired of travelling the world, jaded as that may sound.
That's my real message: I work very hard. We're an honest presentation, we try to give people entertainment and information at the same time, and it's working. I don't see any need for big drastic changes in our presentation.
I want to bring something different to every film. I get a bit tired of actors who kind of are the same character in every film that they do.
I definitely have moments in my life where I discovered a film, and the language of the film itself spoke to me in a way, as if someone came up to you and started speaking a language you'd never heard but understood and was able to express things the language you knew could not.
Public speaking is done in the public tongue, the national or tribal language; and the language of our tribe is the men's language. Of course women learn it. We're not dumb. If you can tell Margaret Thatcher from Ronald Reagan, or Indira Gandhi from General Somoza, by anything they say, tell me how. This is a man's world, so it talks a man's language.
It's hard to describe one's own alchemy that makes one into a writer, but I definitely think American language is so interesting, and specifically Southern language and black Southern language; it's hard to separate Southern language from black language.
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