A Quote by Polly Adler

It's not a college degree that makes a writer. The great thing is to have a story to tell. — © Polly Adler
It's not a college degree that makes a writer. The great thing is to have a story to tell.
I've been astonished how often, when I convince a writer to tell a story more straightforwardly and to tell it more simply and directly, it turns out that this author is great and the story is wonderful.
I think the writer makes a good story good or a good story bad. The writer has a great deal of responsibility.
My college degree is from a great university in 1944. I got my master's at Harvard graduate school, completely co-ed, in 1945. My mother got her college degree in 1920. What's the problem? Those opportunities were always there for women.
Writers remember everything...especially the hurts. Strip a writer to the buff, point to the scars, and he'll tell you the story of each small one. From the big ones you get novels. A little talent is a nice thing to have if you want to be a writer, but the only real requirement is the ability to remember the story of every scar. Art consists of the persistence of memory.
I don't have a college degree, and my father didn't have a college degree, so when my son, Zachary, graduated from college, I said, 'My boy's got learnin'!'
I don't have a college degree, and my father didn't have a college degree, so when my son, Zachary, graduated from college, I said, "My boy's got learnin'!"
Sometimes the music just has to tell the story without you trying to tell the story. It depends on the type of music you want to make. If it makes you feel good and party then you go with that. If it makes you feel like speaking on something real and doing a story then it's the beat just has to have the story.
I didn't want to tell the story of what makes two people come together, although that's a theme of great power and universality. I wanted to find out what it takes for two people to stay together for fifty years -- or more. I wanted to tell not the story of courtship, but the story of marriage.
Tell me a story. In this century, and moment, of mania, Tell me a story. Make it a story of great distances, and starlight. The name of the story will be Time, But you must not pronounce its name. Tell me a story of deep delight.
I'll tell you the truth - I went to a women's college, Barnard, the most selective college for women in America today. If there's one thing I came out of Barnard with, because it was a women's college and a great institution of higher education, it was fearlessness.
Usually when you ask somebody in college why they are there, they'll tell you it's to get an education. The truth of it is, they are there to get the degree so that they can get ahead in the rat race. Too many college radicals are two-timing punks. The only reason you should be in college is to destroy it.
I've been wrestling with Kafka since I was an adolescent. I think he's a great aphorist, a great letter writer, a great diarist, a great short story writer, and a great novelist - I'd put novelist last.
I tell my grandchildren - I've got seven of them - to go to college and get that degree first. I could have stayed in college and still recorded. Isn't that something? The kids of today are doing it.
I think of myself as a writer with a sense of humour rather than a comedy writer. Happy to tell a story with lots of jokes in it - I wouldn't know how to do jokes without the story.
The idea is not enough. And the most annoying thing for me as a writer is that people will come up to me and say, 'Hey, I've got a great idea for a book. I'm not a writer, but I've got a great story.'
If a writer is to tell his own story - tell it slowly, and as if it were a story about other people - if he is to feel the power of the story rise up inside him, if he is to sit down at a table and patiently give himself over to this art - this craft - he must first have been given some hope.
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