A Quote by Polly Allen Mellen
One day, Sally Kirkland said to Diana Vreeland, who was the fashion editor of Harper's Bazaar at the time, "I have a young woman I want you to meet. She's very young, but I think you should meet her." When Sally Kirkland told me this, I said, "I can't possibly do that! I'm going to throw up! That's the scariest thing I've ever heard! I can't do that, Sally. I'm not ready to do that!" But Sally said, "You let them make that decision." I was absolutely terrified.
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To be honest, I thought it was similar to animal husbandry." Sally's tone turned dry. "Sometimes, my lady I'm afraid it isn't that different." Pippa paused, considering the ords. "Is that so?" "Men are uncomplicated, generally," Sally said, all too sage. "They're beasts when they want to be." "Brute ones!" "Ah, so you understand." Pippa tilted her head to one side. "I've read about them." Sally nodded. "Erotic texts?" "The book of Common Prayer.
When I graduated from school, World War II was still going on. At the time, my eldest sister, Nancy, was working in New York City at Lord & Taylor, and she had a great friend named Sally Kirkland who she worked with there and who later went to work as an editor at Vogue. I always told them, "I want to work in fashion like you do," and finally, in the late '40s, I got a job at Lord & Taylor, too.
Why is she Mrs. C.J. Walker? It really was a matter of her trying to insist that people respect her, because during that time, white people would call any black woman 'Sally.' 'Aunt Sally.' So this was like... you can't call me that.
Young Sally Owens: He will hear my call a mile away. He will whistle my favorite song. He can ride a pony backwards. Young Gillian Owens: What are you doing? Young Sally Owens: Summoning up a true love spell called Amas Veritas. He can flip pancakes in the air. He'll be marvelously kind. And his favorite shape will be a star. And he'll have one green eye and one blue. Young Gillian Owens: Thought you never wanted to fall in love. Young Sally Owens: That's the point. The guy I dreamed of doesn't exist. And if he doesn't exist I'll never die of a broken heart.
We got Sally Field onboard [in Smokey and the Bandit] and it changed the entire dynamic. About a third of the way into filming, I was in the car with Sally and there was this little moment where we kind of looked at each other, and then we both turned and looked over at Hal [Needham]. He gave us a thumbs up and said, "Yeah!" And we kind of knew there was some magic going on.
I work with Sally and I can see Sally doing that. She is very aggressive. Very fun loving and charming... and pushy in a very competitive way and a very healthy way and a very good actress.
LINUS: Where are you going for Thanksgiving, Charlie Brown? CHARLIE: My father, my mother, Sally, and I are all going to my grandmothers for dinner. SALLY: Do you want to come too, Linus? We can hold hands under the table. LINUS: BLECH!
The great thing about being in this business is that you meet people, and I met Sally Struthers.
A few nights ago I went to a Hollywood screening of a small independent film made by Sally Kirkland, an old friend of mine who also did terrific job acting in it. There were other actors in it and they were all terrific.
Every woman needs secrets,' her mother said with a smile then, her eyes meeting Sally's in the rearview mirror. 'Remember that when you're old like me, pumpkin, because the world has a way of making a woman's life everyone else's business--you have to dig out a little place that's only yours.
There’s a great scene in The Texas Chain Saw Massacre [1974] that I’m obsessed with: Sally is being chased by Leatherface with a chainsaw... And she runs into thorn bushes. And she’s getting tangled up in it because she’s running fast... But Sally needs to move slowly in order to get through the bushes - she will get farther faster by going slowly because her hair and clothes won’t get tangled and caught. There’s something really beautiful about understanding that, while someone’s chasing you with a chainsaw, you have to move more slowly in order to get away.
Sally Barris has a voice like sparkling crystal. You could have knocked me over with a feather the first time I heard her. Her writing is from a deep, yet innocent, place and her point of view is just a bit off center. I am excited for her, she is standing at the beginning of her journey in this town, with all of it ahead of her. It reminds me of the first time I heard Beth Nielson-Chapman or Nanci Griffith. It's going to be fun to watch.
I said old Jesus probably would've puked if He could see it - all those fancy costumes and all. Sally said I was a sacrilegious atheist. I probably am. The thing Jesus really would've liked would be the guy who plays the kettle drums in the orchestra.
I was so excited to be able to say that I was a lesbian that I would shake hands with strangers on the street and say, 'Hi! I'm Sally Gearhart and I'm a lesbian.' Once, appearing on a panel program, I began, 'I'm Sally Lesbian and I'm a gearhart!' I realized then that I had put too much of my identity into being lesbian.
For young people, it doesn't matter so much, but when you're older, less is definitely more - too much make-up can give you the 'eccentric Aunt Sally' look!
The red library is Sui's tribute to fashion maven Diana Vreeland, who served as editor for Harper's Bazaar (1939-1962) and Vogue (1963-1961). My most precious collection is my bound Vogue magazines, .. and they're kind of like my Bible. I look at them all the time when I'm trying to inspire myself for a collection.
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