A Quote by Polly Bergen

Show me a woman content with her figure and I'll show you a seven-year-old girl. Everybody else is engaged in the war against flab. — © Polly Bergen
Show me a woman content with her figure and I'll show you a seven-year-old girl. Everybody else is engaged in the war against flab.
When I was in New Orleans, I was in a grocery store and a woman came up to me and she said, "Oh, my daughter's such a big fan of the show." And I said, "Can I meet her?" And around the corner came this seven-year-old. I was horrified and I almost said to her, "Lady, what are you doing? [American Horror Story] is not for seven-year-olds, I can tell you."
Show me a girl with her feet planted firmly on the ground and I'll show you a girl who can't put her pants on. -Annik Marchand
I mean, that's another big surprise of the show, is that I see sixteen year old people who recognize me and they're honest, for-real fans of the show. And it goes down to nine months. I mean, I've heard of nine month to year-old children who are watching the show.
Show me a woman who is prouder of her clean kitchen than of her collection of lingerie and I'll show you a woman with enlarged pores.
I've come to this belief that, if you show me a woman who can sit with a man in real vulnerability, in deep fear, and be with him in it, I will show you a woman who, A, has done her work and, B, does not derive her power from that man. And if you show me a man who can sit with a woman in deep struggle and vulnerability and not try to fix it, but just hear her and be with her and hold space for it, I'll show you a guy who's done his work and a man who doesn't derive his power from controlling and fixing everything.
My body is full of graves. A sepulcher is dug up, and a young girl comes out of it with her dusty hands in tears. A lady who is a young girl and an old girl at the same time feels the presence of the young girl. I feel that the 15-year-old me and the 50-year-old me come out of the sepulcher through an illegal excavation.
For throughout history, you can read the stories of women who - against all the odds - got being a woman right, but ended up being compromised, unhappy, hobbled or ruined, because all around them, society was still wrong. Show a girl a pioneering hero - Sylvia Plath, Dorothy Parker, Frida Kahlo, Cleopatra, Boudicca, Joan of Arc - and you also, more often than not, show a girl a woman who was eventually crushed.
I want to play a role of a 24-year-old woman, not 17-year-old girls. So I have picked a couple of films like 'Butter' to show that. And it's perfectly fine not to do anything for a year if I don't find the right thing.
I would never want the show to be a Democrat show or Republican show, because for us the show's more important than that. It isn't for everybody else in the world, but it is for us.
I'm a very competitive person, and I always competed with myself. Every year, I'd take six weeks with my band, crew and choreographer to put a new show together. We'd spend eight hours per day, seven days per week putting a show together to beat the last year's show.
A seven-year-old girl can take only so many walks with her grandfather.
Our show is less about a girl who is doing miracles and more about the domino effect of this girl's life, and how everyone else is affected. Our show seems to be a questioning show as opposed to an action sort of fairy tale.
They embrace them because they represent everything that America represents: money, power, and freedom. Why else would you see an old Ugandan woman respectfully listen to a 22-year-old white girl from America telling her what she should or shouldn't believe?
A guy can tell a girl he's in love with her until he's blue in the face. Words don't mean anything to a woman when her head's full of doubt. You have to show her.
I say openly that I am an anti-war person, with the point being, show me some reason not to be against this war. You have to be sort of asleep at the switch not to be critical of it. And the parallel between one quagmire we went through in Vietnam and the one we're in now is clear for everybody to see.
My fan base is extremely random. It's the 14-year-old white kid sitting next to your auntie from St. Luke's Baptist Church, to the 20-year-old Black girl who probably would go to a Rihanna concert, but she's coming to my show.
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