A Quote by Polo G

I can produce a rock record; if you want me to produce a street record, I can do that as well. — © Polo G
I can produce a rock record; if you want me to produce a street record, I can do that as well.
I did a record with a producer, and the good producers eat up the budget, so I didn't have any budget left to produce this record. I had to produce it myself.
It was always important to me that I made a record where I really sang well, and I don't think it's happened yet. There's always a possibility with each album that I might not record again, and I wanted to produce one that I could feel was mine.
When I produce someone's record I have to remember it's their record..no matter what I bring to it..er, sometimes that's not too easy:) It is a responsibility made less easy by people I work with encouraging me to play guitar on their record...A soon as I start playing guitar on someone's record it inevitably starts to sound like me...not always a good thing.
I won't necessarily make new music because when you make a record there are these great expectations on the side of the record company who are going to produce your record, promoters that are going to do your shows. They want you to do interviews, they want you to play shows. I mean, they want it to be a campaign.
I think producing a record for other artists is almost like giving them advice, and I would say that it is easier to produce another artist than it is to produce yourself.
If I want to do an orchestral record, if I want to do an acoustic record, if I want to do a death-metal record, if I want to do a jazz record - I can move in whichever direction I want, and no one is going to get upset about that. Except maybe my manager and my record company.
I really like to think of each record as its own thing. So, for sure, but I hate the idea of being stuck in anything. Like I want to do a Hawkwind-style record too, or a noise rock record or a hardcore record. Why not, you know? I would just not want to keep heading too far in one direction, without pulling off and going the other way. That is what is fun for me.
I'm continuing to produce and will start a new record soon, as well.
I really want to produce a record for Mary J. Blige.
One of the ideas behind doing this acoustic record is that I didn't want to have to produce it by committee.
I really like to think of each record as its own thing. So, for sure, but I hate the idea of being stuck in anything. Like I want to do a Hawkwind-style record too, or a noise rock record or a hardcore record. Why not, you know? I would just not want to keep heading too far in one direction, without pulling off and going the other way.
I think the most important challenge that remains is this mentality in Washington that sanctions have been an asset, and some people want to find even an excuse to keep them or an excuse to reintroduce them. I don't know whether they've looked at the record of how sanctions actually produce exactly the opposite of what they wanted to produce.
I would love for Radiohead to give me a call and say, 'Hey, kid, we wanna see what it's like working with you. We want you to produce our next record.'
I write and produce what is on my heart - whatever I'm going through and whatever God is taking me through, and I've been blessed to have people record, produce and buy our music. I'm a Christian man who happens to be Latino, not a Latino who happens to be a Christian.
There's no record that you done heard me produce that I spent more than ten minutes on.
I've played death metal, punk rock, hardcore, funk... I've done it all. And all there really is music and at the end of the day, anybody who has a record and puts out a record that's basically the same song 13 times over on one record; to me they're just cheating the fans.
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