A Quote by Pooch Hall

I'm trying to get my next job as a biracial action hero. — © Pooch Hall
I'm trying to get my next job as a biracial action hero.
We haven't evolved a hero story that's female. We're always trying to fit women's stories into this male structure, which is this rising action, this powerful conflict, and this falling action. And I think a female hero story is not that. It's something else.
I feel Vidyut is a next-gen action hero who is extremely professional and a hard worker. I think he is the most sought after action king, because I really loved the kind of action he has done.
I love the idea of biracial. I actually don't use the word biracial. I tend to use mixed. Biracial to me accentuates the word race, and, you know, I don't really care for it.
I love the idea of a movie hero in a thriller who is able to get ahead by just his brilliance, and not with a gun or by being an action hero.
I don't get the action... well, I never did get the big action hero parts. I was always locked into making the kids movies, which were a lot of fun.
I don't want to get pigeon-holed into a certain kind of character. I love action roles and the hero, but I want to keep trying something new.
I'd love to do a Paul Greengrass movie, or something like that, that's a character-driven action film. I'd like someone to make me go to the gym every day, and all that stuff. I don't know. Wherever the good characters are, I tend to try to get a job. It was nice because this was dipping my toe in the action genre. Maybe I might put my foot in, next time.
I think a lot of high-profile artists like to make people think that. 'Oh, I'm trying to choose my next project.' This is a job. Sometimes your next job is so you can provide for your family; your kids are 16 and getting ready to go to college.
I overheard things in the Woolworths when I was a child, people saying, 'Oh, poor, little thing,' as if they had some understanding that I was being born biracial into a world that was still very difficult for interracial marriages and biracial children.
I think a lot of high-profile artists like to make people think that. Oh, Im trying to choose my next project. This is a job. Sometimes your next job is so you can provide for your family; your kids are 16 and getting ready to go to college.
I've never had a job in my life that I was better than. I was always just lucky to have a job. And every job I had was a steppingstone to my next job, and I never quit my job until I had my next job.
[Action's] a Western thing. We think of the hero going into battle, rebelling against a government or an oppressor, but [in KUNDUN] action is nonaction or what appears to be nonaction. That's a hard concept for Western audiences. . . . We wanted to show a kind of moral action, a spiritual action, an emotional action. Some people will pick up on it; some won't.
And every job that I had was a stepping stone to my next job and I never quit my job until I had my next job. And so opportunities look a lot like work.
You can win your Oscar, and you still wake up trying to figure out how to get your next job.
The hardest thing in my industry is longevity, getting your next job. It's hard to get the first job, but it's so much harder to get the sixth or seventh as a woman.
I still don't understand why the tag of 'action hero' follows me. My films have all these elements - romance, action and comedy. None of the fight sequences of my character is an act of randomness. There's a reason to action in my films.
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