A Quote by Poonam Dhillon
Even the older generation are able to understand things when they see it on TV and identify with it. A lot of people are able to empathise with the characters. They can also distinguish between good and bad.
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I think as you get older, there are things that there's just no light side to, but you know, I guess the more you empathise with people, the more empathy you have, the less you are able to see the lighter side.
It's a mysterious thing that a whole generation of young people can come up and see and understand things that previous generations weren't able to see or understand.
It's always good to be able to identify with the characters that you're watching and not just easily put them in the bad box or the good box. They're real people that you care about, and you invest in their journey.
It's just a lot of fun to be able to see your ideas come into fruition. And to see people translate the things that come out of my mind vocally. And to be able to produce vocals and give people my point of view musically. And to be able to sit in the crowd and see people sing the song that I wrote, it's an amazing feeling.
The thing is, I never see my characters as psychopaths. I see them as really crippled victims who just happen to do bad things. And I never see them as bad guys; I see them as darker characters. I never see anything as good or bad; it's more light or dark, and the in-between is the grey.
It's just nice to be able to communicate and be able to identify with a lot of different cultures. I have no idea what it would be like to be just one thing and speak one language. I feel enormously privileged to travel and be able to mingle and speak to people that, had I only known English, I wouldn't have been able to meet.
It's like one of the best things that can ever happen to you as an actor: to have your story reach people, even if they don't look like you and even though they may not be able to identify with a black male; they can still identify with what's happening to you.
People can do great things. However, there are somethings they just can't do. I, for instance, have not been able to transform myself into a Popsicle, despite years of effort. I could, however, make myself insane, if I wished. (Though if I achieved the second, I might be able to make myself think I'd achieved the first....) Anyway, if there's a lesson to be learned, it's this: great success often depends on being able to distinguish between the impossible and the improbable. Or, in easier terms, distinguishing between Popsicles and insanity. Any questions?
I tend to enjoy roles that I very closely identify with: fringe people and complicated characters, who might even be bad guys, or bad characters that have one redeeming quality.
As an actor, you have to be able to take all sides as well. You have to at least be able to understand things. No bad guy looks in the mirror every morning and says, boy, I'm gonna be a real bad guy this morning. He goes after his own what he's after, just like us good guys. You kind of have to take a stand and, a lot of times, you have to take the writer's stand or the stand of the character this writer has created.
God is able to cause all things people do to us, even the bad things, to work together for our good (Rom. 8:28). That isn't to say that all things are good, but that God can orchestrate the evil into a symphony of glory.
I think most people don't really understand all that it takes to stand on your toes, and to be able to jump and land without any noise, or for a male dancer to be able to lift a girl. All of these things look so effortless, but there's an attention to detail and years of training, as well as being able to transform into a character and being able to meld all of those things together.
Actually, I identify with all my characters, good and bad. I have to do that in order to make them genuine. I have to understand them even if I don't approve of them. Not completely - it's impossible; complete identification is, in fact, not desirable.
Some people don't seem to be able to distinguish between humour and what you really feel. They forget that there's a difference between what's real and what's a fantasy or joke.
I think I've become more understanding of people around me compared to before. I try to understand other people's tendencies and relationships. I've been able to laugh off a lot of things between myself and others, but it's still difficult trying to look at things from their perspectives.
I've always thought I had pretty good instincts for people. There is a short list of people I've worked with over my career with whom I've not been able to distinguish easily between the public persona and the real private person.
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