A Quote by Poonam Dhillon

Over the years, I've not had the courage to get into theatre, but after I did my first play, 'The Perfect Husband,' I couldn't wait to be on stage again. — © Poonam Dhillon
Over the years, I've not had the courage to get into theatre, but after I did my first play, 'The Perfect Husband,' I couldn't wait to be on stage again.
My first couple of years in the league left me very unstable. I had some times where I played well, and I had some times were I really did not get the opportunity. After Rick Pitino gave up on me my first year, people were like, 'He can't play.' So I had to get over that hump.
After 1957, Israel had to wait 10 full years for its flag to fly again over that liberated portion of the homeland.
I went to theatre school for four years and just wanted to do theatre. I had no ambition to be on TV or to be on camera. I just wanted to go to New York or London and be on stage... I did a lot of theatre in Montreal, got involved in TV in Toronto and then moved to L.A. I hope that film and TV will take me back to theatre.
The first play I did was 'Philadelphia Here I Come.' Can you imagine that? I am 37 years old I am doing my second professional play and I am on stage with John Malkovich. Joan Allen, Laurie Metcalf and Gary Sinise. One huge name after another. I was terrified and petrified, could hardly get a word out of my mouth.
I wanted to play a good guy after doing this lunatic on The Sopranos for two years. And then they did the sequel to Bad Boys, where I get to play the barking captain again.
I did fringe theatre for so many years, and then I got my first play at the RSC, which was an amazing feeling, but I was 30 and had started acting in my early twenties.
One of the first plays I ever did was at the Royal Court Theatre in London; it was the first play I got after drama school.
I don't think a professional agent or theatre manager would say my career had gone as well as perhaps it should have after that first 'Oliver!' success, but then again I was never really intending to have a career in the professional theatre in the first place.
I love you. I know the real you too. You think I don't but how easily you forget I was the one who bailed you out of trouble over and over again as kids. I didn't ask the perfect Ashton to be my girlfriend when I was fourteen years old. I asked the only Ash I'd ever known. You changed all on your own. I'm not going to lie. I was proud of the girl you had become. My world was complete. I had the perfect family, perfect girl, perfect future. I let myself forget the other girl you once were.
My very first professional job was with a theatre company in 1965 and the first job they gave me was literally shovelling sh*t. I was an assistant stage manager and they told me to clear out the prop store. I opened it up and no-one had been in there for 25 years and it was inches deep in rat sh*t. So before I could get anywhere I had to clear it up. I thought, 'All these years of training, the best drama school in the world, and this is what I'm doing.'
I was mad about the theatre growing up, really mad. We had a local theatre, the Torch, and I used to usher there. I would see the shows over and over again.
You told me once of the plants that lie dormant through the drought, that wait, half-dead, deep in the earth. The plants that wait for the rain. You said they'd wait for years, if they had to; that they'd almost kill themselves before they grew again. But as soon as those first drops of water fall, those plants begin to stretch and spread their roots. They travel up through the soil and sand to reach the surface. There's a chance for them again.
Come back again, old heart! Ah me! Methinks in those thy coward fears There might, perchance, a courage be, That fails in these the manlier years; Courage to let the courage sink, Itself a coward base to think, Rather than not for heavenly light Wait on to show the truly right.
We've had lots of breaks, especially over the last 10 years, so to still be getting together and to be able to get on stage and play together is a big deal.
After I was invited to take over the Selecao, one of the first things I did was to call Marcelo and Thiago Silva. I wanted to get a feel for the players and we did not mention what had gone on in the past, that is behind us.
I realized after my first play that no one was going to offer me roles for theatre. So I started my own theatre company even though I was in deep debt in 1988.
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