A Quote by Pope John Paul II
There is no dignity when the human dimension is eliminated from the person. In short, the problem with pornography is not that it shows too much of the person, but that it shows far too little.
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The problem of pornography is that it does not reveal too much of a woman but too little.
I think everybody I've seen has come from some other therapy, and almost invariably, it's very much the same thing: the therapist is too disinterested, a little too aloof, a little too inactive. They're not really interested in the person; he doesn't relate to the person.
The problem with being human is that there's far too much responsibility, too much pressure and too many expectations placed on you to achieve.
It is easier with the right person. A good test of a relationship is how well you both deal with challenges. If one person is more invested, it shows. If you're with the wrong person, it feels like too much work. But if you're unhappy more than you're happy, it's not the right relationship for you.
No place is too common. No person is too hardened. No distance is too far. There's no person God cannot reach. There's no limit to his love.
Too many vacations that last too long, too many movies, too much TV, too much video game playing - too much undisciplined leisure time in which a person continually takes the course of least resistance gradually wastes a life. It ensures that a person's capacities stay dormant, that talents remain undeveloped, that the mind and spirit become lethargic and that the heart remains unfulfilled.
I think the beauty of the film industry is that if another person tries to become another person or act like another person or imitate another person, they don't really get too far. When that person starts to realize who they are and what they can bring to the table, they start to blossom and grow. With that, it's not so much me looking towards my predecessors who have paved the way in the industry - it's more getting inspired. I get little bits and pieces of what I can take from any and everybody.
I've read a lot of fiction from writers just starting out, and the dialogue is a little bit forced, or it's almost too teenager-y, or too slang-y or putting too much technology or trends in there. I try to stay pretty trend-neutral. I try not to mention too many current bands or current TV shows.
The two great risks are risking too much but also risking too little. That's for each person to decide. For me, not risking anything is worse than death. By far.
The British feel of blues has been hard, rather than emotional. Far too much emphasis on 12 bar, too little attention to words, far too little originality.
You know, I think everybody I've seen has come from some other therapy, and almost invariably it's very much the same thing: the therapist is too disinterested, a little too aloof, a little too inactive. They're not really interested in the person, he doesn't relate to the person. All these things I've written so much about. That's why I've made such a practice really, over and over to hammer home the point of self-revelation and being more of yourself and showing yourself. Every book I write I want to get that in there.
Government is not a solution to our problem, government is the problem. ... Government does not solve problems; it subsidizes them. Government's view of the economy could be summed up in a few short phrases: If it moves, tax it. If it keeps moving, regulate it. If it stops moving, subsidize it. ... The problem is not that people are taxed too little, the problem is that government spends too much.
It saddens me to see the reality-television shows that are getting so much fanfare that are a celebration of stupidity and the degradation of women. And those women are consistently wearing too short, too tight dresses. I hope the trend of aging gracefully returns.
I'm much more interested in shows that maybe not everybody loves, but a lot of people REALLY love. That's how I am as a person. I'm as extreme as the roles in the shows that I like to be on.
Describing some kinds of feelings comes across as too excessive in the first person. If you put it in the third person, you're taking a little bit of a distance, and that way it becomes more apprehensible to a viewer. You're always riding this fine line of risking saying too much, do you know what I mean? When you feel you're in that area, if you shift the address a little bit it can alter it.
A person has already made the effort once they open a paper or turn on the news. They want to know what's going on in the world around them. That, in itself, shows they care. But the problem is, most people say, 'That's terrible,' and then move on. Because they find it too difficult to look at.
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