A Quote by Poppy Montgomery

When you spend seven years with a group of people and suddenly you're not together, it's very jarring. — © Poppy Montgomery
When you spend seven years with a group of people and suddenly you're not together, it's very jarring.
I spent seven years writing The Free World. There are a lot of things I accomplished there that I'm very proud of, but I didn't want to spend another seven years writing a book like that.
I'm very interested in the idea of a large group of people who come together quite suddenly, but not illogically, for reasons that could not have been anticipated.
You know, I really think that when God puts together families, he sticks his finger into the white pages and selects a group of people at random and then says to them all, 'Hey! You're going to spend the next seventy years together, even though you have nothing in common and don't even like each other. And, should you not feel yourself caring about any of this group of strangers, even for a second, you will just feel dreadful
Two brothers and a sister, my niece, my nephew... we're a very small group. We're very close, very tight-knit. We spend every holiday weekend together.
You know, it's very easy to have a few beers with people in the music industry and suddenly be friends for life - 'Let's work together!' All of a sudden, you're trying to form a super group with a few people you've met in a club. I'm not into that, myself. Those aren't your mates.
You don't spend ten years appealing to middle-aged women and then suddenly turn around and start trying to connect with 25-year-old women. You're almost certainly going to alienate the people who have an investment in your brand, and there's no guarantee you're going to be successful with the new group.
I came from drama school, and it's a group of 18 people working together in every single production and splitting up the roles for three years, so I am very much about the team.
The Raspberries were together two years for one century. It was a very successful failure of a group.
I'm a very competitive person, and I always competed with myself. Every year, I'd take six weeks with my band, crew and choreographer to put a new show together. We'd spend eight hours per day, seven days per week putting a show together to beat the last year's show.
Everyone in the group sang when I joined them. That was one of the problems with L.T.D.: there was no focal point. It took until 1976, or about six or seven years, before I was put into the spotlight as a vocalist. That's when I recorded 'Love Ballad,' and it became a hit for the group.
I wanted to play music from the age of seven. I suddenly fell in love with it and that's what I was going to do, or to be involved with music. It was just speaking to me at a level that as a seven year old I suddenly realized the world was capable of supporting in my head a lot more than what I was understanding verbally and visually.
As an actor, there's nothing worse than the sound of 'seven years'. I'm sure to some people it sounds amazing, but to us, it's, like, seven years of playing the same person.
I have known Che for seven years. We were very good friends. One fine day, he proposed. I had a gut feeling that Che was the right person and that I wanted to spend the rest of my life with him.
There's a group I've been close to, since childhood. We spend a lot of time together.'.
I didn't spend a whole lot of time here, but I had the seven best years of my career in this city and having an attachment here 20-some odd years later is pretty special to me.
If you're going to spend seven months of your life - for me seven months, for Roland Emmerich, 3, 4, 5 years of his life - doing something, I think you have to have something to say.
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