A Quote by Poppy Z. Brite

Young writers shouldn't be afraid of striving to emulate their favorites. It's a good way to learn, as long as you move on from it and don't publish too many of the results.
But it's clear to me that us slow-poke writers are a dying breed. It's amazing how thoroughly my young writing students have internalized the new machine rhythm, the rush many of my young writers are in to publish. The majority don't want to sit on a book for four, five years. The majority don't want to listen to the silence inside and outside for their artistic imprimatur. The majority want to publish fast, publish now.
As you consider whether to move a child into formal academic training, remember that we want our children to do more than just learn how to read and write; we want them to learn in such a way that they become lifelong readers and writers. If we push our children to start learning these skills too far ahead of their own spontaneous interest and their capacity, we may sacrifice the long-range goal of having them enjoy such pursuits.
Children live in a way that is very generous. They learn from a young age what you value; they watch your every move. If you value writing, they will learn quickly to value it too, as something they can give to someone, or receive with pleasure from someone else.
I regard posterity as vulgar as success. I don't trust posterity. I don't think what's good is necessarily recognized in the long run. Too many good writers have disappeared.
The way we learn to write is the way we learn to talk: We listen to others and start mimicking speech, and that's how we come to become speakers. Writers you admire, you admire the way they plot, you admire the way they create a character, you admire the way they put a sentence together, those are the writers you should be reading.
A good many young writers make the mistake of enclosing a stamped, self-addressed envelope, big enough for the manuscript to come back in. This is too much of a temptation to the editor.
I don't think anybody can teach anybody anything. I think that you learn it, but the young writer that is as I say demon-driven and wants to learn and has got to write, he don't know why, he will learn from almost any source that he finds. He will learn from older people who are not writers, he will learn from writers, but he learns it -- you can't teach it.
The wise use of your freedom to make your own decisions is crucial to your spiritual growth, now and for eternity. You are never too young to learn, never too old to change. Your yearnings to learn and change come from a divinely instilled striving for eternal progression. Each day brings opportunity for decisions for eternity.
We're just afraid, period. Our fear is free-floating. We're afraid this isn't the right relationship or we're afraid it is. We're afraid they won't like us or we're afraid they will. We're afraid of failure or we're afraid of success. We're afraid of dying young or we're afraid of growing old. We're more afraid of life than we are of death.
When you're making records, you develop, and so you hear the things you want to move away from. It stings a little, but you know, you gotta own it too. You've got to just go, "You know, I wasn't afraid to learn in front of people, so I give myself a little credit for not being afraid of anything."
I am happy that we are not favorites. To be very honest it's big pressure of being favorites. We were not favorites last time (in 2011) too but we played excellent cricket. Similarly this time, there are teams which play on those bouncy wickets like Australia and South Africa, and are probably bigger favorites than us. But we hope that with the type of resources we have we can do well.
There are many people who say, I write for myself. I think that if you write and publish, then you write for your readers, not just for yourself. Many writers say that they write to be loved. I place myself among those writers.
There are many people who say, 'I write for myself.' I think that if you write and publish, then you write for your readers, not just for yourself. Many writers say that they write to be loved. I place myself among those writers.
Despite the ills of our society, we largely live among compassionate, kind and optimistic people who are striving to do good. [...] Learn how to be happy and keep this in mind: You can't be happy unless you stop being afraid.
Not too many people know what a pentathlon is or what's involved, which is why visiting schools is good because they can learn about it at a young age and hopefully try it out.
I am not a contest-enterer by nature. But contests - and their entry fees - are often the main way literary journals raise money to, you know, publish their issues. So entering contests helps support the journal, which also helps support the writers they publish.
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