A Quote by Poppy Z. Brite

And I can't think of a reason I'd ever use a pseudonym, as I wouldn't want to publish something that I didn't like enough to put my name on it. — © Poppy Z. Brite
And I can't think of a reason I'd ever use a pseudonym, as I wouldn't want to publish something that I didn't like enough to put my name on it.
When I started writing, I didn't have the common sense to use a pseudonym, so I write under my own name. If I did have a pen name, though, it would be something very historical - something that sounds very sort of Regency... Sophia something.
Send it to someone who can publish it. And if they won't publish it, send it to someone else who can publish it! And keep sending it! Of course, if no one will publish it, at that point you might want to think about doing something other than writing.
The decision to use a pen name was nothing more than a desire to compartmentalise my life. However, I had not thought about an appropriate pseudonym, and since there's an abundance of anagrams in the novel, the idea struck me: why not use an anagram of my name? Hence, Shawn Haigins.
I didn't want to use my father's name. I don't think I will ever want to use his influence... Never have I gone around asking people, 'Do you know who I am...' Even if it's to cut a line at the airport.
I paint and I draw and I write and I do other things too, and recently some people at school were asking if I'd ever publish any of my work. But I almost feel like I would have to publish it under another name because there's a definition of me out there that feels kind of stuck in the moment when it was formed.
Precocious and eccentric are okay. But I think that people in the arts represent something integral and kind of secretive in everybody else. So the reason people like some artists is because they're saying or doing something that they would like to do or say, but they don't have the balls or the means. People are really afraid to put their ass on the line. Just to put your face on a poster and put your name in big print and say "Come see me," that takes some cojones, you know? Ambition is nothing to be ashamed of.
Better that you should take the chance of trying something that is close to your heart, you think is what you want to write, and if they do not publish it, put it in your drawer. But maybe another day will come and you will find a place to put that.
I chose to publish the first 'Shopaholic' book under a pseudonym because I wanted it to be judged on its own merits.
I think God is something that people use to avoid reality. I think faith allows people to reject what is right in front of our eyes, which is that thing, this life, this existence, this consciousness, or whatever word you want to use for it, is all we have, and all we'll ever have. I think people have faith because they want and need to believe in something, whatever that something is, because life can be hard and depressing and brutal if you don't.
I don't like to use my last name. I don't like it attached to things because people think you can just stamp your name on something, and it's not organic or that you're just doing it for money.
I don't want to put out something I'm not psyched on just because I finished it. That's the stupidest reason to do something, really. I want it to be up to my standards. I don't want to put out something I wouldn't listen to.
In matters of truth the fact that you don't want to publish something is, nine times out of ten, a proof that you ought to publish it.
I use a pseudonym, because my real name is very difficult to pronounce, to remember, and to spell. And many people who have been talking about me on television have yet to pronounce it correctly.
I ask myself all the time, 'Why keep doing this?' If I wasn't exploring or finding something to write about that was personal or meant something, there'd be no reason. If I was ever making a record just to make a record, or ever just like, 'Just put something out there that someone will buy,' I would quit.
I never have, above my signature, announced anything that I did not prove first. That is the reason why no statement of mine was ever contradicted, and I do not think it will be, because whenever I publish something I go through it first by experiment, then from experiment I calculate, and when I have the theory and practice meet I announce the results.
I think it helps to get a film made because people who put money in are nervous. They like to have something recognisable enough to make them secure that there's a pattern there - that someone else put their money into something like this and made it back.
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