A Quote by Porochista Khakpour
In South Pasadena, artists were around but invisible somehow. Even though it was just a fifteen-minute drive from Downtown LA, it felt worlds apart. That suburban American experience can both protect and stunt you. I couldn't wait to move to New York to become the person I've always wanted to become.
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I loved being on Broadway, but performing has become exhausting, and I just don't want to live in New York anymore. I'm just sick of the competition in New York, the feeling that I always have to rehearse to keep up my performance. I don't feel like rehearsing, even though it should be my favorite thing in the world to do.
To become a classical ballerina, you have to move to New York when you're 12 or 11 and that becomes your life. I just wanted to be good in my company in Charleston and I wanted it to always be part of my life.
At a certain point, I felt the need to submit to a higher level of religiosity to move away from my intuition and to accept an ultimate truth. I felt that in order to become a good person, I needed rules - lots of them - or else I would somehow fall apart. I am reclaiming myself. Trusting my goodness and my divine mission.
At a certain point, I felt the need to submit to a higher level of religiosity... to move away from my intuition and to accept an ultimate truth. I felt that in order to become a good person, I needed rules - lots of them - or else I would somehow fall apart. I am reclaiming myself. Trusting my goodness and my divine mission.
I think so many great artists are flocking to LA because the downtown art scene is so vibrant, there is cheap living and you can really flourish as an artist there. There is an unbelievably supportive and really smart, talented theatre audience in LA full of young, hungry, vibrant people. It's something that sort of makes me think of what New York must have been like in its downtown theater scene in the 1980s - before my time.
I feel the change. I feel the relationship with New York changing. It's a personal relationship you have with the city when you move there. I definitely romanticize the early 2000s. As much as I prefer the city then as opposed to now, I'm sure if I were 23 and I moved to the New York of right now, I could have the same exact experience. I don't really hate the cleaning up of New York, even though it's not my preferred version of New York.
I grew up in LA, and I don't think I've seen LA onscreen in a way that felt real to me. There are definitely movies, but they are few and far between. I wanted to see a movie that was set in LA that wasn't about the film industry. LA is such a lonely place to be alone. In New York you can just walk out and be among people. You're on the subway among people, you go to cafés, you can talk to people. In LA, no one talks to each other, you're in your house, you're in your car, even when you take walks there's no one on the street.
I didn't grow up, really, in the film business, even though my parents are both artists. I grew up in New York City. They would never put me into acting. I just kind of wanted it, and I told them that.
My thing with New York was that it felt so insular. When I went to L.A., everybody I knew was a cool, amazing musician. In New York, they'd be hunkered down trying to form a band. But in L.A., guys in bands were also playing with other artists, touring with other artists, and collaborating with other artists.
As a lover of New York, I hope New York remains as successful as a city, even though the very groups on whom the city depends - like artists - are not finding it easy to stay here. That's what it's been about, really, since the 1980s. You can kind of see that coming in the 1980s even though the rents were ridiculously low compared to what the rents are now.
I spend the majority of my time in New York and LA. I feel like a large part of my following and my fans are probably in New York and LA because of the work that I do is very New York-LA-centric. So people do recognize me. But it's nothing overwhelming at all.
I both loved and hated South Pasadena. On the one hand, it was so diverse - all my closest friends were immigrants or had immigrant parents. On the other hand, it was a bit conservative - in a sort of wholesome, Midwestern, small-town sense. I never met a single writer until I moved to New York City for college.
New York and LA are both great places to visit, but I wouldn't want to live in either of them now. I find New York extremely claustrophobic and dirty. LA is quite a nice place. But there's no hustle and bustle, no street life.
I'm drawn to write about upstate New York in the way in which a dreamer might have recurring dreams. My childhood and girlhood were spent in upstate New York, in the country north of Buffalo and West of Rochester. So this part of New York state is very familiar to me and, with its economic difficulties, has become emblematic of much of American life.
New York feels like a sublet of Europe. And Europe is a sublet of New York. Put it that way. It's so accessible. When I was in LA, I felt so far away from my home. Home, for the moment, is here until it's not. I like to move around with my work. I feel it's a great way to learn about life, about new cultures, and to learn. We'll see where the wind takes me.
As far as my projects are concerned, I have always maintained a healthy balance. My south Indian projects have never taken a backseat even though I've been busy in Hindi. Both regions have loved me, and being wanted by both the north and south film industries is a compliment by itself.
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