A Quote by Porochista Khakpour
The radical is simply being given more room in the mainstream. And I think young people - I'm talking about the very young millennials - they are bored by so much so fast and have such fast big brains, that they won't digest lazy uninteresting work in the way my generation might have. This is a great opportunity for those on the fringe to be less on the fringe perhaps.
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I always want to be doing both to travel as a teacher and lecturer, and to be a musician. I think in this generation institutionalizing the art form and spreading it to the younger generation through education is really important for all artists to have some hand in. Right now in popular culture and the mainstream, it's not a big part at all. I think education by young artists talking to young people, not just older people talking to young people, it gives an experience never felt before. I think over the years it will do a lot for the music.
I actually feel pretty inspired and hopeful by the fact that protests are becoming the norm now. They're less part of fringe society and more a part of mainstream society. That's exciting. There is no fringe anymore. We should all be included.
What people say about millennials is the same thing they've said about every generation: Younger people are obsessed with technology, and selfish, and they're lazy, and they live with their parents... Guess what? That's 'cause they're young people!
Bypasses are devices that allow some people to dash from point A to point B very fast while other people dash from point B to point A very fast. People living at point C, being a point directly in between, are often given to wonder what's so great about point A that so many people from point B are so keen to get there and what's so great about point B that so many people from point A are so keen to get there. They often wish that people would just once and for all work out where the hell they wanted to be.
Soaps are great. You learn to work very fast - some say superficially, but that's not really true. You do some very serious character work. I've never had any feelings about a stigma attached to it, and nowadays there seems to be less snobbery about what you do. More and more big names are doing TV and commercials and voiceovers.
You are great young people. I have said again and again, we have the finest generation of young people ever in the history of this Church. I believe it. You know the gospel better. You come to seminary and you learn about the things of the Lord here. You know more about the gospel than those of my generation at your age did without any question. I am satisfied of that. Furthermore, you are intrinsically better. You are wonderful young people!
The stronger a culture, the less it fears the radical fringe. The more paranoid and precarious a culture, the less tolerance it offers.
I'm not one of those people who thinks they simply deserves success. I have the drive to work. Maybe that's why I've stayed on the fringe.
I think being young in a grownup world, I think it stunted me a little bit. I had to grow up too fast on the outside, but I didn't get to grow up on the inside in the way that you might if you're allowed to fail more.
The lunatic fringe is more like a Spanish shawl, where the fringe makes up the entire garment.
People see me, and they see the suit, and they go: "you're not fooling anyone", they know I'm rock and roll through and through. But you know that old thing, live fast, die young? Not my way. Live fast, sure, live too bloody fast sometimes, but die young? Die old. That's the way- not orthodox, I don't live by "the rules" you know.
Over the years, I developed an extreme hostility towards the non-profit art organization gulag. I formed the opinion that it's actually a very sophisticated form of government suppression of creativity, particularly in young people. When I see the younger generation dragged into this and being told to write these statements and take these photos, define your work this way or that way, I think it's wrong. I think instead of paying any attention to politics, a great project for young artists is to attack and destroy the non-profits of our world.
I do the same gig. I might change it a little; I might slow it down if I'm in the South. I talk fast, and they're not used to people talking that fast.
My hope is to get young people to think about ways that they can translate hip-hop's great cultural movement into political power that can change the conditions for America's young, so that young people upon graduating from high school who don't have economic means to go to college can realize other options beyond joining the military and fighting in wars that enrich corporations like Halliburton which should feel guilty about profiteering off of a war that is being fought on the backs of those locked out of America's mainstream economy.
I am totally a fringe candidate, and so is Bill Weld: you know, two Republican governors serving in heavily blue states, outspoken, small government guys, outspoken on the social liberal side. We're fringe, totally. We're fringe.
Donald Trump has built his campaign on prejudice and paranoia. He is taking hate groups mainstream and helping a radical fringe take over the Republican Party.
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