A Quote by Porter Robinson
For me, the early 2000s stood for this vast, magical, electronic cyber realm - a time when the internet was so infinite, mysterious, and under-explored.
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We need to make sure that whenever we're engaging in a cyber-warfare campaign, a cyber-espionage campaign in the United States, that we understand the word cyber is used as a euphemism for the internet, because the American public would not be excited to hear that we're doing internet warfare campaigns, internet espionage campaigns, because we realize that we ourselves are impacted by it.
Once cyber crosses into the realm of the physical, then it's a physical attack, but it starts with cyber. And the idea of a cyber attack being able to take control of machines - that becomes a scary process.
I have this feeling of wending my way or plundering through a mysterious jungle of possibilities when I am writing. This jungle has not been explored by previous writers. It never will be explored. It's endlessly varying as we progress through the experience of time. These words that occur to me come out of my relation to the language which is developing even as I am using it.
The Infinite has to be a relative concept. Go any distance: an infinite space means that there is more to be explored.
I grew up around electronic instruments. To me, the turntable is an electronic device. At the same time, I had access to drum machines and keyboards through my uncle; then track recorders into computers. At an early age, I was messing with computers more than most hip-hop musicians.
I'm trying to fly the flag for the days of electronic music where people who are making it are also building the gear because that was what was happening in the very early days of electronic music. And that spirit is one of the things that really appeals to me about electronic music so I'm putting this forward as a way to keep that.
I grew up in the early 2000s, being one of the first-generation wrestlers to have access to the Internet and watch independent wrestling. We usually didn't have to trade tapes anymore. We could just get online and search A. J. Styles or Low Ki.
As a child, I did what any normal kid who grew up without any electricity would do - I spent countless hours working on a computer wired to my parents' car battery... and learned how to code. This natural passion for computers lead me into the Internet market during the late 1990s and early 2000s.
The yogi in love needs only to whisper the beloved name, and all desire is fulfilled. To hear Shyamdas speak of The Lover’s Life is to be transported into the eternal magical realm of love, where infinite possibilities become possible.
I love Evanescence. I think it's quite comforting to really make nostalgic early 2000s inspired music for me, personally. I think it just reminds me of being a kid again. And that was a nice time.
Teaching in the upper elementary grades had given me a deep appreciation of the gifts and graces that are specific to individuals with ten or eleven years of experience as human beings. It is, I think, a magical time - when so much has been learned, but not yet enough to entirely extinguish the magical reach and freedom of early childhood.
The Conversation was a movie I saw probably for the first time in the early 2000s. I immediately loved the piano and just how simple it is.
'The Conversation' was a movie I saw probably for the first time in the early 2000s. I immediately loved the piano and just how simple it is.
I've been a fan of Bunji's freestyling since the first time I saw him perform, back in the early 2000s.
We are now living on Internet time. It's a new territory, and the cyber equivalent of the Oklahoma land rush is on.
The early 2000s for me were a very emotional time, politically. I'd been through Reagan and been through first Bush and Clinton, and it's not like I had an easy time through those years. But I just thought it was particularly rough. I have to say the World Trade Center attack was very weird for me. The events that followed were worse. It was a really long swath of time.
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