A Quote by Porter Robinson

If you trust your instincts and it doesn't turn out right, OK. But if you compromise and defer to what somebody else is telling you and it doesn't work out, that feeling gnaws at me.
Most challenging, mainly for me, learning how to bump, learning to trust your body and trust somebody else with your body, when we're learning how to do bodyslams and suplexes and figuring out how to kick somebody right while making sure to protect each other. In the beginning, for me, a forward roll was pretty challenging.
You can't please everyone, and you have to trust your instincts, and you have to do your work and throw yourself in there and trust your instincts, and just trust that you're doing a good job that I can be proud of as well.
I have a feeling that art is something you do for yourself, and that any time you turn your decisions over to someone else you're postponing at best, your own development. The atmosphere of the workshop should be that of trying out one's own work and accepting the signals from others but not accepting the dictation of others because that is a violation of the spirit of art. Art can't be done by somebody else, it has got to be done by the artist.
As an actor, you can think your way out of a lot of good things sometimes. I trust my instincts as an actor, and I trust the instincts of the creators, so it's a good combination.
I have no fear; I have nothing to lose. I'd rather burn out than fade away, and I would rather go out in a blaze of glory on my own terms than let anybody dictate anything to me in my career. I had the chance to wrestle The Undertaker [on Smackdown in 2013], and one thing I took away from it was that he looked me in the eye and said, 'Trust your instincts because you've got great instincts.'
Perhaps, therefore, it is odd that if there is any one phrase that is guaranteed to set me off it's when someone says to me, 'OK, fine. You're the boss!' What irks me is that in 90% of such instances what that person is really saying is, 'OK, then, I don't agree with you, but I'll roll over and do it because you're telling me to. But if it doesn't work out I'll be the first to remind everyone that it wasn't my idea.'
I feel like I've been very lucky with the directors. The characters I've been offered, especially lately, have given me the opportunity to play all of these different women. I always wanted that, and it's something that you cannot do by yourself. If you want to play a diversity of characters, somebody else has to have the imagination to give you a role completely out of the box. We depend on somebody else's trust, and these directors are giving me their trust, and I am grateful for that.
You have to trust your instincts and know that the right question or the right answer will come to you. You don’t always have to have the solution to the problem; sometimes it’s very interesting to watch somebody go through the process of solving the problem, but it’s got to be truthful.
A tree says: My strength is trust. I know nothing about my fathers, I know nothing about the thousand children that every year spring out of me. I live out the secret of my seed to the very end, and I care for nothing else. I trust that God is in me. I trust that my labor is holy. Out of this trust I live.
It's right to trust in God; but, if you don't stand to your halliards your craft'll miss stays, and your faith'll be blown out of the bolt-ropes in the turn of a marlinspike.
I've always liked playing with somebody else and collaborating, just to get out of my own head all the time. Everybody does, but artists especially, we torture ourselves. So it's good for me to immerse myself in somebody else's work.
Bam understands the concept of a team and bringing out more out of somebody else, and he finds enjoyment and pride out of making somebody else better.
We may need to focus here.' 'Right. Yes. OK. Turn around.' 'Are you going to throw something at me?' 'What? No, I'm getting out of bed.
Its always important to fall back on your instincts and core beliefs and that was pretty hard for me to do but trusting in my self the way I trusted that if I were to sit at a piano for two hours and I was going learn something, that trust I'd put in myself really helped me get through it. For five to six months I just wrote songs and believed they would turn out to be things I could be proud of and be happy.
I don't mind anybody dropping out of anything, but it's the imposition on somebody else I don't like. The moment you start dropping out and then begging off somebody else to help you, then it's no good. It doesn't matter what you are as long as you work.
We all bullet point our triumphs, but I am who I am because of everything you don't see on my CV. The stuff that doesn't work out teaches you how to trust your instincts and adapt.
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