A Quote by Porter Robinson

If an artist I liked disowned songs that meant a lot to me, I would be pretty hurt by that. — © Porter Robinson
If an artist I liked disowned songs that meant a lot to me, I would be pretty hurt by that.
With the 'iCarly' soundtrack, I didn't get to write any of the songs. I just picked songs that meant a lot to me that I really liked.
I used singing as a safety measure. I would pay attention to what songs the popular girls liked, learn those songs from the radio or library cassettes, and then "accidentally" sing or hum these songs in class. This would impress the girls, who would then defend me from the boys.
An album for me as a teenager in the '70s was a fully formed concept. It was a body of work from an artist I liked or trusted or who excited me. Maybe one of the songs is really poppy and you listen to it on the radio as a hit single and then more of the world is about to find out about this artist by buying the record.
I've never been an artist that really got into fluff songs. I like songs that have substance to them. I think sometimes that may hurt me commercially a little bit. But I like to cut things that have the power to speak to people on an emotional level. That's the power of country music to me.
If you were meant to cure cancer or write a symphony or crack cold fusion and you don't do it, you not only hurt yourself, even destroy yourself. You hurt your children. You hurt me. You hurt the planet.
There's a lot of different ways that a song would be a challenge to parody. There are a lot of songs that would ostensibly be a good candidate for parody, yet I can't think of a clever enough idea. Some songs are too repetitive for me to be able to fashion a humorous set of lyrics around. Some songs flat-out just don't work creatively for me.
The way streaming is going, this movement in the market of music would suggest that doing a long-form project, especially for a new artist like me - someone who relies on a lot of digital following - it would make more sense for me to release the songs individually.
My mind was so geared towards being a performing artist, singing all these classical pieces, but the sense of loneliness I got when I moved from New York to El Paso meant that writing turned into singing. I'd sing all these songs, and they'd make me feel better. Songs that crafted the way my life was going to go.
I'm pretty sure that every player who's ever played for me doesn't hate me. Now, we'd have to do a survey, but I've coached a lot of guys, and I'm pretty sure there's one or two that don't hate me. I don't know that any liked me. But I'm pretty sure there's one or two who don't hate me.
I think I have had my story with France. Unfortunately, it's not the story I would have liked. I would have liked to have played a World Cup; I would have liked to have done a lot more for the French national team.
I take the palette with me, but I have a lot of makeup. I was a makeup artist when I was younger, but I'm not that good compared with my makeup artist, so I keep things pretty simple. I explore a lot with pink and nude lipsticks, but I love red lipsticks. I love a line and a lash and a brow. So I don't need a lot, but I have a lot. It's all there just in case - for Halloween or whatever.
I have amassed an enormous amount of songs about every particular condition of humankind - children's songs, marriage songs, death songs, love songs, epic songs, mystical songs, songs of leaving, songs of meeting, songs of wonder. I pretty much have got a song for every occasion.
I liked Bugs Bunny. He was pretty good. He's annoying as a duck and he's anti-proletarian. Daffy Duck I couldn't see what was going on with him. He seemed like he was angry about something. My favorite one though is Pinocchio. I liked that kid. He was made of wood. I liked that for a start. I also liked how he'd tell a lie and his nose would grow. I liked the morality of that.
I was a cover artist for years. I didn't start writing songs until I was in my mid-twenties. I wrote them with John Leventhal, and they were pretty bad. I was in my late twenties when I wrote the first song with him that made any sense to me about what I was rooted in and what spoke for me as an artist. That was 'Diamond in the Rough.'
Most companies that are successful listen to people and see what they want and they make that. So when I used to make songs, I'd make mixtapes. The public would tell me what they like and then I would make songs based on what they like. That's how I knew 'Ridin' Dirty' was going to be big - they told me they liked this kind of music.
John Lennon and Ringo Starr liked my songs. I used to write songs and they heard me sing songs on stage in London.
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