A Quote by Porter Robinson

I just want the truth about it, because if the reality is that electronic music festivals are significantly more dangerous than other festivals, then something should be done about it, and that warrants conversation.
National festivals should become festivals of development. Republic Day or Independence Day should not be only about unfurling the Tricolour in the state capitals. We have to make them opportunities of Lok Shikshan (Mass Education).
There's just a completely different vibe at festivals. Everyone gets to hang out and enjoy their favorite music all day. I really do try and play as many festivals as possible!
I think that film festivals, we're very often given to understand, are about filmmakers and about films and about the industry of filmmaking. I don't believe that they are, I believe that film festivals are about film audiences, and about giving an audience the encouragement to feel really empowered and to stretch the elastic of their taste.
After that really, I spent the majority of the spring going to tons and tons of regional festivals throughout America. Every corner of the country, I took the movie to twenty film festivals or something to that extent. I've lost track. Probably done Q&As 40-50 times at this point. It's always hard to watch something I've made, but I've got a little more objectivity and kind of see the film as not just an extension of myself.
Electronic music is the first genre to realize how to use the music for marketing something else, which is playing festivals and club nights where they really make money.
The festivals are cool because you make a lot of connections at the festivals.
A lot of festivals can be a jumble of electronic music and rock and roll, and everything's all mixed up - some things are more performance art or light shows or dance parties, and then you'll have a singer-songwriter stuck in the middle to make the changeovers easier.
People discover you at festivals. They come to see Coldplay or whoever, and then wander over and catch your act. Festivals make a lot of sense to me.
The electronic music world is such a tight-knit community. We're all hanging out at different festivals and such.
That's the reality of my life - I do normal things and then get to go to film festivals and wear borrowed clothes and turn up at premieres and talk about things I am passionate about. But then you click back to normality and your family and friends.
It doesn't seem expected for us to do something like that, but I love electronic music. I spend a lot of my time listening to that and just trying to understand what makes it work - what makes it move people the way it does and why they have some of the best-selling festivals in the world.
Sectarian political festivals are not the way Londoners want their money to be spent. Most of us, I suspect, just want to be trusted to get on with other people and not be instructed by activists about the dangers of racism.
It's not a big deal to send a film to the festivals, but yes, winning an award is huge. When you send a film at festivals, people talk about you and your work, and one gets great exposure.
European festivals area lot bigger than American ones, but I like the travelling festivals, it's the same production every day and the bands get used to the stage set up and by the third or fourth show of the tour they're putting on a better show than if they just played one day.
There's a bit less elbow room and latitude to take it somewhere else, at least at festivals. In the club you can do whatever you want but at festivals, especially Ultra, nowadays the crowd wants to hear our songs.
Playing new songs at festivals is weird, obviously. People at festivals are always a bit drunk, and probably just want to hear stuff they know by bands they love, or are checking you out and don't know your stuff very well.
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