A Quote by Porter Robinson
I was trying to write new music, but there was nothing I was reacting against. It turned out 'Worlds' itself became something for me to to resist.
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At first there was nothingthen nothing turned itself inside-out and became something
I'm just a man. I think people are reacting to something else when they see me. They're not reacting to me, Eddie Murphy. They don't even know me. It's just luck and the God in me they're reacting to.
We did have one work where it looked like the fibreglass was discolouring, but it turned out it was reacting to the foam it was packed against in storage. We repaired it and sent it back with better packing.
Lagos was a city that had been turned against itself. There was a bridge that became the perfect trap for crimes, which began with nails being scattered to cause flat tyres. If the driver stopped, the car would be dismantled in 20 minutes and the parts thrown overboard [to people waiting below]. The system had turned into a kind of destructive device that could be used against people. That was the narrative.
It is true that authoritarian governments increasingly see the internet as a threat in part because they see the US government behind the internet. It would not be accurate to say they are reacting to the threat posed by the internet, they are reacting to the threat poised by United States via the internet. They are not reacting against blogs, or Facebook or Twitter per se, they are reacting against organizations like the National Endowment for Democracy funding bloggers and activists.
I know what my sound is. I'm just trying to get it out there how I can explain it. I'm not trying to write or put out some music that doesn't represent me.
Once desire was turned on, combustion gave it a life of its own. Once it was turned on it became a raging wildfire, uncontrollable and uncontainable, the type of conflagration that had to be allowed to burn itself out.
There's always this talk of the industry of music and about selling records and whatever, but that ignores probably the majority of music that isn't about trying to sell itself, that isn't about being connected to any industry. There's a huge amount of music where someone just happened to have a tape recorder and turned it on or hit the red button while they were in the back of church or recording something in their front room.
I'm trying to look at my blessings and how amazingly well against all odds things have turned out for me.
The stress that we [with Abilities] always feel is trying to continue advancing with our music. That's our plight, it's ingrained in our personalities. We feel like we're trying to race the world of music itself - just trying to create the best music, and as soon as we get done with one piece we're trying to figure out how to top it.
I did point out that I have no prophetic gifts. I write books because I tried to do something more useful and failed. Since I've been trained to write, I do that as a defense against total despair. And seeing people like you, who are actively engaged in trying to salvage pieces of our wrecked lives, gives me hope that after all we are not alone.
That culture, of looking at catchy music as a negative thing, is weird. It has nothing to do with me, or the music I was into growing up. The Stones and the Beatles only tried to write hits. Every Motown song, every Credence Clearwater song - they were trying to write hits.
The industrial thing came about mainly through giving up trying to write pop songs in the early '90s. I don't think I was ever very good at pop music and as soon as I stopped trying, and started to write more the things I loved, it became much heavier and more aggressive.
There is something better, if possible, that a man can give than his life. That is his living spirit to a service that is not easy, to resist counsels that are hard to resist, to stand against purposes that are difficult to stand against.
It turned out this man worked for the Dalai Lama. And she said gently-that they believe when a lot of things start going wrong all at once, it is to protect something big and lovely that is trying to get itself born-and that this something needs for you to be distracted so that it can be born as perfectly as possible.
I want to write for people that are trying to do some kind of quality music. What I mean by quality music is not so much the trend, what is hot right now. I don't write trendy, I write what feels good and something that feels good will never get old. Timeless music is what I try to shoot for.
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