A Quote by Porter Robinson

Writing music while caffeinated produces some interesting results. The stimulation basically amplifies my music-production-dependent bi-polarity. — © Porter Robinson
Writing music while caffeinated produces some interesting results. The stimulation basically amplifies my music-production-dependent bi-polarity.
I basically am always chasing this super enhanced stimulation from music.
When I'm writing good music and I'm caffeinated, I attribute all my success to the coffee, get really sentimental about the EDM scene and tweet a lot.
Music's always part of my writing. I think all art is interconnected. You can't create or experience one without its influences bleeding into another. In my writing, music's mostly something that feeds my inspiration and mood while I'm writing, but it's also taught me how to score scenes and even novels. The rise and fall of the storyline echoes the flow of a good piece of music.
I grew up writing songs and producing music, and I studied music production in college.
The New Kids took some hits for, you know, not writing their own music. But on a songwriting standpoint, I mean, I'd never written music before when I was in the group, ... Now the music is my music, so it's kind of like my baby, and that was a whole different experience.
It's weird. I went so far away from music that I had to re-invent music again. I had to come back to music. I had to put music with an agenda down and at least write for my son, write to keep writing, but the idea of having a music career had to go away for a while.
A book, at the same time, also has to do with what I call a buzz in the head. It's a certain kind of music that I start hearing. It's the music of the language, but it's also the music of the story. I have to live with that music for a while before I can put any words on the page. I think that's because I have to get my body as much as my mind accustomed to the music of writing that particular book. It really is a mysterious feeling.
Music always stimulates my imagination. When I'm writing I usually have some Baroque music on low in the background chamber music by Bach, Telemann, and the like.
I hadn't played any music since freshman year of college, more than thirty years ago, so I had to relearn everything. I started writing songs. Some were dance and trance songs (I listen to them a lot while I'm writing), and some were love songs, because that after all is what music is about - dancing and trancing and love and love's setbacks.
I have chosen to keep my personal life separate from my music, as the two are exclusive from each other, and I want to remain that way. I'll talk music, production, writing songs, touring with anyone but keep religion, politics and world affairs off the table, as my expertise is in songs and music.
I attended a post-college program in L.A. for Music Business and Production. Took several courses involving Music Production, Arrangement, and Songwriting.
When I became a 'rock musician,' I assumed pop music was easy to write and that interesting rock music, or alternative music, was hard. It was only later I realised that writing a pop song is the hardest thing musically.
One day, my mum bought me this music production software for my computer, and I started making beats... I realised it was more like production than a video game, but it was a video game when I was playing it. That's how I got into music production.
With writing music and writing songs and recording music and coming up with stuff, you need to kind of reengage that kind of inner child to come up with interesting perceptions.
Every once in a while, we can touch somebody's life in a way just by writing a melody or writing some music, which is always really special.
I've wanted to be Mick Jagger since I was 18. One of the things I love about music is that you don't have to be dependent on other people like you are in the film business. I hate being dependent on anyone. With my music, I can do whatever I want. I also think it's made me more relaxed as an actress.
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