A Quote by Porter Robinson
If I could turn it on like a faucet then I think it would be kind of unearned. I feel like you need to struggle a little bit to make anything good.
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I just feel like, for me personally, there's just been so much election fatigue, and while I think it was very important during the election to always be on top of everything that was going on with the election via social media, I do feel like, all right, now we need a little bit of a detox. I think people need a little bit of a break from it.
I'd like to see a really good kind of closeted 1950s vampire movies. The war is over, the Korean war is over, we're happy now, a little bit of Cold War paranoia ya know, and then mix it up a little bit. I just think there are so many avenues that you could do that.
Acting is so difficult for me that, unless the work is of a certain stature in my mind, unless I reach the expectations I have of myself, I'm unhappy. Then it's a miserable existence. I'm putting a piece of myself out there. If it doesn't do anything, I feel so ashamed. I'm afraid I'll be the kind of actor who thought he would make a difference and didn't. Right now, though, I feel like I made a little bit of difference.
I don't think there are any songs that I've written in the past that I now disagree. It's kind of like tattoos; I would never regret a tattoo, because it was how I felt at that time in my life. I don't think I've ever said anything that I would take back. So far, so good! I would probably change the music, or change how I sing it, maybe do it a little bit cooler, or a bit more grown-up. But I don't think that there are any lyrics that I regret.
But I think writing should be a bit of a struggle. We're not writing things that are going to change the world in big ways. We're writing things that might make people think about people a little bit, but we're not that important. I think a lot of writers think we are incredibly important. I don't feel like that about my fiction. I feel like it's quite a selfish thing at heart. I want to tell a story. I want someone to listen to me. And I love that, but I don't think I deserve the moon on a stick because I do that.
I think you always take away a little bit of a character with you, and it kinda like hangs on you for a bit, and then as time kind of goes and wears off a little bit.
I feel very short-attention span for like accomplishment. It's like 'oh that felt really good' and then it's kind of like an immediate emptiness of I need to make something else - I don't like to dwell on things too long.
I knew that the black struggle wasn't my struggle. But I felt like it was my-struggle-adjacent, you know? I've always said that if you turn the dial in one direction, a Muslim is a Jew is an East Asian person is a Native American and so on. I feel very much that all of these struggles are kind of the same and - Hillary Clinton actually said this recently - when you get rid of one barrier, it opens up the gates for a whole bunch of people you didn't even know would benefit from it. So not fighting for the black struggle is like not fighting for the Muslim struggle.
I think I write funny songs that make people kind of, like, stop what they're doing and be like, 'What did you say?' And then it makes them laugh a little bit.
When I see films like 'Lagaan' and 'Rang De Basanti,' I feel, 'Why can't I do work like this?' Then you think and realise you need to learn more to make this kind of a film or write this kind of a film. Also, somewhere down the line, you need to be brave.
I just like to work with other people, and I like things that are kind of a little bit bigger than that. I don't know. I just feel like a solo record just kind of gives me the willies a little bit.
Another one of my favourite sayings is, you can't handpick your audience. I feel like I'm making music for people who think like me about music, and that takes a lot of different forms. I could never generalise - but I think if I were to generalise, I'd think that you would say that most of my fans are music lovers who are looking for something outside of the mainstream: maybe a little bit hard to pin down, a little bit hard to categorise.
I don't really know too many designers. I like a lot of what Kanye West has done with Yeezy, but I think it's a bit too, how you say, elevated; it's a little bit too special. Like he's trying to make something that's kind of a little bit too cool sometimes.
I remember I prayed to God. I was like, "Just let me be on TV." Let my friends see me on TV in a good thing. I like, if I'm funny a little bit on a commercial and then I don't need to act ever again. "Just let them see me." And then it worked. I got the commercial. I was on TV. My friends all saw me. I was a kind of a star at school for like three days. And then it faded away and I was hungry and I had to like make another deal with God. I remember it still.
I really like Braun Strowman. I would turn the volume down on him just a little bit. I think he is a little bit overly animated, and he doesn't have to be. He is already a larger than life character when he wakes up and has a cup of coffee.
I think it's important for kids to express themselves with bad fashion. I struggle a little bit now because I have a daughter and I feel with fashion, like they're sexualizing the kids so young. Little kids in high heels and that kind of thing is really difficult for me to wrap my head around.
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