A Quote by Porter Robinson

I'm mostly known for writing electro and aggressive bangery house music. But before I started making electro, and while I was making electro, this sort of gushy, make-the-ravers-cry sort of sentimentality is so important to me.
'Cyberspace' as a term is sort of over. It's over in the way that, after a certain time, people stopped using the suffix '-electro' to make things cool, because everything was electrical. 'Electro' was all over the early 20th century, and now it's gone. I think 'cyber' is sort of the same way.
As mineralogy constitutes a part of chemistry, it is clear that this arrangement [of minerals] must derive its principles from chemistry. The most perfect mode of arrangement would certainly be to allow bodies to follow each other according to the order of their electro-chemical properties, from the most electro-negative, oxygen, to the most electro-positive, potassium; and to place every compound body according to its most electro-positive ingredient.
For me, I actually come from an electronic dance music background: house music, electro house, trance music, even. When I was coming out of school, basically, I discovered Brain Fever, Flying Lotus, J Dilla and all that. That was when I got excited about hip-hop and when the Flume project started.
Electro is today's disco - making electronic music not for the sake of selling it but for sharing it and touring around the world D.J.-ing.
Everything is about energy. We're surrounded by electro mist, fog and smog. We're covering ourselves in the wrong sorts of electro-magnetism. These idiot politicians who talk about climate change, for goodness sake, do they really think little us can do anything about it? No, of course not.
When I first began writing music I was really inspired by the French electro scene.
As a kid, my parents had the typical stuff going on in the home, like Bee Gees, The Carpenters. Then I got exposed to what my brothers were listening to: a lot of classic rock, Led Zeppelin. It was around the mid-'80s when the whole Electro-Techno-Pop-House music thing started happening in Chicago.
Miles added it to his life's lessons list. Call it Rule 27B. Never make key tactical decisions while having electro-convulsive seizures.
When I started Fool's Gold and producing consistent records that were like electro beats with rapping on it that was experimental and weird. I made a mixtape called Dirty South Dance where I put rap vocals over dance music. That was literally an experiment. Now all these rappers are rapping on dance music. This is something I've been trying to build for a while.
I wanted to find a bridge between Musique Concrete, electro-acoustic music, and proper rock music.
I'm not the hugest fan of pop music and electro music, which is why 'The Inevitable Album' was entirely live instruments.
To me, I think of the '70s as being this glorious decade where I discovered who I was and discovered all these amazing things... punk rock, electro music, fashion, all of that.
My music, I think, takes elements from a lot of different genres, progressive, electro but is still quite clearly defined as my sound.
You have to be open-minded, because it's so diverse nowadays. I used to be a deep trance DJ, and now I've transformed into something eclectic. So you can expect any kind of music, from house to electro to indie-rock to techno and trance. I have very wide musical tastes nowadays.
I've always worked on all different types of music, some with specific project goals and deadlines and some not. Sometimes I would write a piece of music that is almost like a film score or weird electro pieces, wherever the muse took me, and I still do that.
The biggest problem we have is not Ebola, it's not AIDS, it's electro smog.
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