A Quote by Prabal Gurung

All designers have a platform, an audience. Whether it's one or a million, it doesn't matter. — © Prabal Gurung
All designers have a platform, an audience. Whether it's one or a million, it doesn't matter.
We're very lucky. We've been blessed with a platform, and what you can do with that platform, you can do a million things with it. I guess I just take pride in using the platform the right way.
The million, million, million ... to one chance happens once in a million, million, million ... times no matter how surprised we may be that it results in us.
I just want to learn as much as I can, and that comes from the people I surround myself with. So whether that is on a one-million-dollar movie, or 100-million-dollar movie, it doesn't really matter.
Whether railroads or electricity or the Internet, there is always some sense that this is the new, redemptive platform - that finally, finally, we've found the platform that will allow us all to lead a democratic, global existence, where all problems will be solved. And the idea that the old platform becomes obsolete, "this kills that," and so on, also often accompanies the advent of a new technology. The digital platform is no exception.
If an audience finds themselves paying attention to how you made your film, you're sunk because that means they're unplugged from your story. What matters is what's unfolding on the screen, not how you put it there. It doesn't matter if it's red triangles or million dollar software if the audience doesn't care.
Not only as designers, but as creatives, we're all about the importance of creating that super chic space that feels like a million bucks without having to spend a million bucks.
You do not need millions of followers to know and to feel that you have a platform. I feel like everyone should realize that they have a platform regardless of how big their audience is.
We're trying to improve everyone. It doesn't matter if he cost £10 million, £15 million, £200 million. There is always space to do something better.
It's possible in today's world to be instantly famous, whether it's through Instagram or whatever platform it may be, but it's a very different matter to be successful financially and in the long-term
I make films but I am trained as a designer. I come from this series of designers called critical designers, speculative designers.
Three-hundred million years from now, the only thing that will matter is whether you're in Heaven or in Hell.
Whether you have a hundred friends on Facebook or whether you're on TV or whatever, at every level, everybody has a platform. We all have a responsibility, given what's going on, to speak using that platform as much as we can, and to engage. Whether that's calling members of Congress, marching, getting involved locally, getting involved with Let America Vote, or if all you can get done during the day is you see the news and you want to make sure your hundred friends on Facebook know what you think about it, that is a really important part of this.
The reality of the matter is I'm blessed to be able to do what I can and to have this platform. For me, I'm going to try and do everything that I can to use that platform to help those who don't have the ability to spread their voice that people will hear them.
I don't photograph for other people. I love an audience, mind you. Once I've got them there, then I love an audience. Not a big audience, though. I'd rather please ten people I respect than ten million I don't. But I don't play to an audience, I do it for myself.
The Internet is, as a communication platform and a learning platform, unparalleled because whether you want to learn something or share something, it's simply a few clicks away.
I suppose that it doesn't matter whether a song is written or sung by a man or a woman. If the sentiment is there, it captures the audience.
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