A Quote by Pramila Jayapal
I have my chops in organizing, and I know how to create political space through movement building.
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In 2013, I helped create a black-centered political will- and movement-building project called #BlackLivesMatter.
Gays and lesbians gained rights in this country though activism and organizing, creating political space and demanding change so that lawmakers and justices could do what they knew was right. That organizing allowed Americans to get to know gays and lesbians as our daughters and sons, our neighbors, and our friends.
National independence, and the preceding political struggles, helped create the space for literary creation in many post-colonial countries. Much of modern Indian or Chinese literature is inconceivable without the political movement for freedom from foreign rule.
Public service and community organizing and movement building is such a part of my DNA that it's really hard to separate it.
Space expands or contracts in the tensions and functions through which it exists. Space is not a static, inert thing. Space is alive; space is dynamic; space is imbued with movement expressed by forces and counterforces; space vibrates and resounds with color, light and form in the rhythm of life.
This is what gay nightlife is: It's about building an image. You are constantly in proprioception where you're clocking your own movement through space constantly.
A couple of games, I played up front when Diego Costa was not there. We know to create movement - not even to get the ball, but create space for others. Now I understand football is not always with the ball at my feet.
The movement of many people through a building can be musical, if the movement is harmonious, rational, but full of life and feeling.
None of us, no matter how perfect, can claim that the building of a new society and the marshalling of a former liberation movement into a modern political party all happen in a straight line.
Life is movement. Movement is change. Every time a sub molecular particle swings through time and space, something is changing. Change, therefore, is inevitable. It is the nature of life itself. The trick in life is not to try to avoid change, but to create change. Then it is the kind of change you choose.
I hope that we will also take seriously the necessity of building alternative parties, and do that work in our communities of organizing movements of movements, creating safe spaces and sanctuary, coming into dialogue, figuring out what a common platform might be for all of us, and building on the work that is happening elsewhere around the community. Even as we resist Donald Trump, doing so with an eye toward building a truly transformational, even revolutionary movement that can become a meaningful alternative to the Democratic and Republican parties.
The film camera's ability to physically move through space, not zoom through space - every time we have a video camera the movement is through zoom; every time we have a film camera it is a physical movement.
I think one of the tragedies of the civil rights movement was because the civil rights movement became so court-focused, I think that there was a tendency to lose track of the political and community organizing, and activities on the ground, that are able to put together the actual coalitions of power throughout which you bring about redistributive change. And in some ways, we still suffer from that.
Organizational Development: The New Christian Right of the 1980s was dominated by paper organizations that were essentially the mailing lists of a handful of politicized ministers. Such organizations were better at issuing press releases than doing the hard work of political mobilization and advocacy. By contrast, the movement of the 1990s has generated a plethora of grass-roots organizations that allocate meaningful responsibilities to individual members. The goal is to create an army of grassroots activists who know how to stimulate political change.
Today, we have sophisticated building technology: we can calculate and simulate the environments and performance of the building, the thermal exposure of envelop, or the air flow through an urban space or structure.
The body moves through space every day, and in architecture in cities that can be orchestrated. Not in a dictatorial fashion, but in a way of creating options, open-ended sort of personal itineraries within a building. And I see that as akin to cinematography or choreography, where episodic movement, episodic moments, occur in dance and film.
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