A Quote by Pranitha Subhash

I'm a bad judge when it comes to my own films because I tend to like everything. — © Pranitha Subhash
I'm a bad judge when it comes to my own films because I tend to like everything.
The good guys in my movies mind their own business and they don't judge other people. And the bad guys are jealous, they judge other people without knowing the whole story, they want all the attention and they're mean spirited. So I think my films are politically correct in a weird way.
The vampire or the bad guy, that's what people do remember. Lars von Trier, like Guy Maddin, their films are made for a group of exclusive people who like special films. And they are special films, they are art films. And I started with commercial films at the beginning, and later on, because you know, when you are an actor, you have the same cliché like everybody else, you want to be in big films, you want to be known and all that.
I have a tendency to judge everything in its relationship to me instead of the value it has in God's eyes. I cannot judge everything solely on its good or bad effect on me.
I want to be in everything, but that's because I haven't seen someone who looks like me in everything. I want to play a superhero. I want to be the love interest. I want to write my own stuff and create my own projects. I want to be in French films.
The only folk I can judge are people like Woody Allen who I think is a genius, largely because I think he has beaten the system. He has his own company, and his films are all his own ideas. It's his direction, and so it comes out the way he imagined it.
People forget that stereotypes aren’t bad because they are always untrue. Stereotypes are bad because they are not always true. If we allow ourselves to judge another based on a stereotype, we have allowed a gross generalization to replace our own thinking.
In my own personal time, horror films freak me out too much, so I tend to steer clear of watching horror films on my own.
Fantasy films tend to skew towards what Tolkien fantasy was, which is that the humans, the Hobbits, and the cute creatures are the good guys, and everything that's ugly are the bad guys.
Fantasy films tend to skew towards what Tolkien fantasy was, which is that the humans, the Hobbits and the cute creatures are the good guys, and everything that's ugly are the bad guys.
Reporters tend to find in others what they are suited to find, so there is a whole school of reporting where they are cynical about the world, and everything reinforces that. Whereas I tend to be optimistic and be amused by people and like them, even rather bad people.
The defining characteristic of pessimists is that they tend to believe that bad events will last a long time, will undermine everything they do, and are their own fault. The optimists, who are confronted with the same hard knocks of this world, think about misfortune in the opposite way. They tend to believe that defeat is just a temporary setback or a challenge, that its causes are just confined to this one case.
I do feel bad when my films don't do well, but I respect audiences' verdict because they know well which films to support. If they don't like a film, we should accept it.
The films that excite me most tend to be the films that seem like voices that we haven't heard of before.
Actually, I can't stand watching violent scenes in films; I avoid watching horror films. I don't tend to watch action films mainly because I find them boring, but I watch the films of David Cronenberg and Martin Scorsese, usually in a state close to having a heart attack. I'm a complete coward. I make violent films as a result of my sensitivity to violence - in other words, my fear of violence.
Bad critics judge a work of art by comparing it to pre-existing theories. They always go wrong when confronted with a masterpiece because masterpieces make their own rules.
They don't tend to feature the kind of vaginas I like in adult films. I tend to like a thick, heavy pussy - the kind of pussy that looks like it just smoked an exploding cartoon cigar.
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