Whenever the protagonist of the film becomes bigger than the hero of the film, the film is bound to become a hit.
Movies are a director's medium, and they end up getting less credit than actors. They get the flak if the movie doesn't do well, and the actor walks away with most of the credit if the film does well.
I think what happens is when something becomes successful, then a lot of people take credit for it in such ways that it takes credit away from you.
If you take 'Agni Natchathiram,' it is about two half-brothers and their emotions and those are genuine, which can be made into a very hard-hitting film just that it can be presented in an entertaining fashion. Similarly with 'OK Kanmani,' it is a genuine film; it is not a flippant film just for commercial purposes.
Lead, don't drive. And give credit. Don't blame. If an officer on your team suggested something and it worked well, give them credit. If it doesn't work well, you take the blame because you made the decision.
Superior leaders get things done with very little motion. They impart instruction not through many words, but through a few deeds. They keep informed about everything but interfere hardly at all. They are catalysts, and though things would not get done as well if they were not there, when they succeed they take no credit. And, because they take no credit, credit never leaves them.
If this film has come out so well, the credit goes to Trivikram garu. This one is a 100 percent director's film. He is the real hero of 'A Aa.'
They're pushing credit cards. They don't take Visa, but they do take American Express, or they don't take this one, but they take that one, or you'd better bring this one, or if you forget who you are, look on your credit card; it will be there.
There were no bizarre action sequences so to say but I broke my foot while shooting. It is a superstition where they say if an actor breaks a foot or injures himself during the shoot then the film goes on to become a hit. So let's just say this time I take the credit for the success of 'Dhoom 3'.
In golf, no one learns to hit a draw, a fade, or a cut shot until they've been taught how to hit the ball straight. Similarly, novice poker players need to learn how to 'hit it straight' before taking on more difficult concepts.
A film becomes hit with the equal participation of every actors and crew members.
Now I realize that I have to let everyone take what they have to take from the film. No matter what I think about the film, it becomes a little irrelevant. I think I would say that the film is trying to show us that - and I spoke about that earlier - we have to let the teachers invest in their own classroom. There's no use in trying to control everything. Education is fundamental.
A lot of times when a film is a success, the fans of that film take ownership of it - it becomes their property.
There is always pressure. If you make a flop film then you are under pressure to make a hit film. If you make a hit film then you are under pressure to surpass your own standard or at least deliver another hit because the audience also has expectations.
he card companies will often, as a courtesy, honor that credit card, but hit you with a penalty. And you keep swiping your card for $3 at Starbucks for your latté, and you're getting hit with a $25 penalty because it's over your credit limit.
There ain't no genius here. Strategy in baseball is overrated. People say, 'That Weaver, he plays for the long ball too much.' You bet I do. Hit 'em out. Then I got no worry about somebody lousing up a bunt, I got no worry about the hit and run - and that's really overrated - I got no worry about base-running errors. And I can't screw it up myself.