A Quote by Pranitha Subhash
Even when I meet people, they start talking to me in Telugu, even though I'm a Kannadiga. But my character in Hello Guru Prema Kosame' will change that image of mine. You'll see me as an urban city girl in glamorous clothes.
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Filmmakers are stuck with my glamorous image. Even if I sit in track pants and a T-shirt, I will still look glamorous. That's the way I am. But there's more to me. I'm a real person.
I have to say, though, that somebody pointed out to me on YouTube that Conan O'Brien was being interviewed, and he was talking about how, oddly enough, he went to see that movie [South Park: Bigger, Longer & Uncut ] in Hawaii with his girlfriend or wife or whoever, and he didn't even realize his character was in it. But there he was, and he said, "This voice comes out of me, and I'm thinking, 'That's not me! Who is that? That doesn't even sound like me!'
Bascially, I want to do movies wherein even the girl's character actually has a part. If you want me to do glamorous roles, that's fine. But you have to make sure the character is good.
Soul Alone by Hannah Baker I meet your eyes you don't even see me You hardly respond when I whisper hello Could be my soul mate two kindred spirits Maybe we're not I guess we'll never know My own mother you carried me in you Now you see nothing but what I wear People ask you how I'm doing You smile and nod don't let it end there Put me underneath God's sky and know me don't just see me with your eyes Take away this mask of flesh and bone and See me for my soul alone
When you remember me, it means you have carried something of who I am with you, that I have left some mark of who I am on who you are. It means that you can summon me back to your mind even though countless years and miles may stand between us. It means that if we meet again, you will know me. It means that even after I die, you can still see my face and hear my voice and speak to me in your heart.
In 'The Trip,' I play the character named Ananya Makhija, a Delhi girl who wants to get married. This is a different character from whatever I have portrayed onscreen so far - of a sweet, small-town girl. Most importantly, you will not find a trace of my character from 'Masaan.' So, I think this will change my image of a small-town girl.
I don't think when I'm doing music. Things just happen. I've even taken my clothes off while performing. But then I'm so shy that I can't even take my clothes off in the dressing room, even though it's just the other guys in the band in here with me. It's really weird.
I think there's a perception out there that people know me based on these glamorous photos they see of me in magazines, but I have about two hours of hair and makeup and then people to dress me, to make me look even better, in those pictures.
I think as much as the city is changing us, our experience inside the city also changes. I think, a city like Cairo - and it's interesting because yesterday, a friend of mine told me the same this thing about New York - is a city that you can't control. It's very bold and very aggressive, and it will constantly resist any attempt at control. But even though you can't control it, you can find your path within the city. You can come to a better understanding of your relationship with it.
I think there's a perception out there that people know me based on these glamorous photos they see of me in magazines, but I have about two hours of hair and makeup and then people to dress me, to make me look even better, in those pictures. There's really so much more to me than that.
We were talking about urban youth. And by urban I mean lives in a city not urban as in black like white people use it.
Trivikram garu is my inspiration to learn Telugu. When I made my debut I didn't understand a single word, even when people around me would be talking. Trivikram garu used to translate for me.
More than anything, I wanted the role of Kitty Russell, even though some people couldn't see me as that character.
It was when I was shooting for a Telugu film in Hyderabad when director Meher Ramesh approached me for 'Veera Kannadiga.' I was game to explore a new language and said yes.
Often when I go to home of people who have small children, the children will run from me, even though they have seen me on television. I understand why they do this but it is a sad feeling for me, even so.
My body has changed and it will continue change in the future — that is natural for anyone. What matters to me most is that even though external change is inevitable, my passion for encouraging women to love themselves at any size and to live, thrive, and to go after their dreams is a part of my permanent nature. Even though my body and mind may evolve through life and experience, my values on this matter have not.
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