A Quote by Pranitha Subhash
I'm happy with the way my career is progressing. But I didn't even imagine that being a Kannadiga, from a highly academic-oriented family, I would ever get into films.
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A lot of substantial roles are coming my way from Tamil and Telugu, and I am happy with the way my career is progressing.
There was little in my early life to indicate that an interest in biology would become the passion of my academic career. In fact, there was little to suggest I would have an academic career.
I can't imagine us saying these things to each other out loud. But even if I can't imagine hearing these words, I can imagine living them. I don't even picture it. Instead I'm in it. How I would feel with him here. That peace. It would be so happy, and it makes me sad because it only exists in words.
I never planned my career in the film industry, in acting. Yes, I always liked acting, but never ever I thought it would be my profession. I wanted to study, since my family has an academic background.
Audiences want to watch heroine-oriented films, and even writers are writing scripts for women. I am very happy to see this change.
Choosing my career was always based on job satisfaction rather than financial security. I wanted to get a job in science; I enjoyed being a surgeon and I now enjoy being an academic and having a media career.
My family means more to me than the artificial trappings of my career. If ever I had to choose between my career and my family, the wife and kids would definitely come out on top.
According to me films like 'Sonali Cable' are career changing films and only few get such chance, I am happy that I did this film.
Thank God I didn't put my career over family. That would have been the biggest mistake of my life. I'm really happy it went the way it did.
I don't think being a star has ever been part of the plan. But I always want to do really good work, even when I made career moves with projects that made more sense in sort of a career way than in an artistic way... like I did with 'The Darkest Hour.'
I would be happy not even being a supermodel. Being able to get a taste of everything that I want a taste of makes me happy.
Acting began as a casual thing, but along the way, I did films like 'Happy Days,' '100% Love,' and 'Baahubali' that made me fall in love with cinema. I can't imagine being in any other profession.
In an old model, the way a film would imprint itself on the public's consciousness is to get a theatrical run. But now there are more documentaries and more films in general being released than ever before. There are weeks when the New York Times is reviewing 15 films, so it's harder to leave an impression on the public. A lot of these films are seeing their financial future on digital platforms. Because viewers aren't hearing as much about films in theatrical release, I think the festival circuit is going to have increasing importance for the life of a film.
I wanted to make films, but the films being made in the 1990s were not my kind. I couldn't break in, and even if I did manage to get a foothold, I didn't know what I would make.
Think of being curled up and floating in a darkness. Even if you could think, even if you had an imagination, would you ever imagine its opposite, this miraculous world the Asian Taoists call the "Ten Thousand Things"? And if the darkness just got darker? And then you were dead? What would you care? How would you eve know the difference?
There are so many varieties of films. You've got the jet-lagged films, where you fly to Bulgaria or wherever and get off the plane, and they bring you right to the set, and you start working, even though I don't even know my name, it's been such a long flight. Then there's the alimony films. But after you've been doing this long enough, you've gotten into every kind of situation you can imagine, even to the point where there is basically no script, so you have to kind of do it scene by scene and survive.
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