A Quote by Pranitha Subhash
I like all languages equally.
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I got tired of books where the boy is a bit thick and the girl's very clever. Why does it have to such an opposition? Why can't they be like the girls and boys that I know personally, who are equally funny and equally cross? Who get things equally wrong and are equally brave? And make the same mistakes?
I work in Hebrew. Hebrew is deeply inspired by other languages. Not now, for the last three thousand years, Hebrew has been penetrated and fertilized by ancient Semitic languages - by Aramaic, by Greek, by Latin, by Arabic, by Yiddish, by Latino, by German, by Russian, by English, I could go on and on. It's very much like English. The English language took in many many fertilizations, many many genes, from other languages, from foreign languages - Latin, French, Nordic languages, German, Scandinavian languages. Every language has influences and is an influence.
Writing in African languages became a topic of discussion in conferences, in schools, in classrooms; the issue is always being raised - so it's no longer "in the closet," as it were. It's part of the discussion going on about the future of African literature. The same questions are there in Native American languages, they're there in native Canadian languages, they're there is some marginalized European languages, like say, Irish. So what I thought was just an African problem or issue is actually a global phenomenon about relationships of power between languages and cultures.
Languages like English, Spanish, and Chinese are healthy languages. They exist in spoken, written, and signed forms, and they're used by hundreds of millions of people all over the world. But most of the 6,000 or so of the world's languages aren't in such a healthy state.
The English language took in many many fertilizations, many many genes, from other languages, from foreign languages - Latin, French, Nordic languages, German, Scandinavian languages.
Plurality of languages: [...] It is crucial 1. that there are many languages and that they differ not only in vocabulary, but also in grammar, and so in mode of thought and 2. that all languages are learnable.
He spoke nine languages. You know some people can just pick up an instrument and play. My father was like that with languages.
It's like there are all these languages available, especially in terms of image. Why confine yourself to only English? There's all these languages and possibilities and concepts to speak or communicate with.
I have sung in over 20 different languages and enjoyed it. I have even sung in foreign languages like Spanish and Russian.
I've had the privilege of learning foreign languages. Instead of merely speaking a watered-down form of my mother tongue, like most people, I'm also helpless in two or three other languages.
If all creeds are equally true, then since they are contradictory to one another, they are all equally false, or at least equally uncertain.
My particular interest for the past couple of years has been to really think deeply about the big impendence mismatch we have between programming languages, C# in particular, and the database world, like SQL or, for that matter, the XML world, like XQuery and those languages that exist.
The business, task or object of the scientific study of languages will if possible be 1) to trace the history of all known languages. Naturally this is possible only to a very limited extent and for very few languages.
Contrary to conventional wisdom, dance is not a universal 'language' but many languages and dialects. There are close to 6000 verbal languages, and probably that many dance languages.
The various modes of worship which prevailed in the Roman world were all considered by the people as equally true; by the philosopher as equally false; and by the magistrate as equally useful.
I have become interested in languages which I cannot make up, which I cannot create or even create in: I have become interested in languages which I can only come up upon (as I disappear), a pirate upon buried treasure. The dreamer, the dreaming, the dream. I call these languages, languages of the body.
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